The beginning of forever…A Reflection on Outlander 3.13 “Eye of the Storm”

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I’ve been waiting for that moment. I’ve been waiting for that moment when I would know that they know. When our hero introduces himself and his wife to the young Georgian family, he understands that for the first time in decades he is free to be himself without fear or subterfuge.  He is James Fraser and the woman safe in his arms is his heart, his love, his wife, Claire… who has promised never to leave him.  I’ve been waiting for forever to begin and this week it did. They are truly together, two halves of one whole.

Kudos to Matt B Roberts on his directorial debut and congrats to the writers’ room who somehow managed to wrestle this monster of a story into 13 episodes.  There were so many wonderful nods to the source material and its fans and yet enough surprises to keep me wondering what would happen next!  I love the show’s ability to call us back to previous scenes and seasons.  The Faith music caused me to get chills and they gave us a story that has come full circle.  The season began with Jamie near death and ends with Claire near death.  The dancing, so different and yet so reminiscent of Craig Na Dun, was a wonderful connection that explained the presence of the maroons.  And, constantly, woven throughout the story is the thread of fate.  We are reminded that all of this was meant to be and that there are forces beyond our understanding at work to both separate our two and keep them together.  There was a supernatural battle being fought for the shape of the future.  I had to wonder whether Zeus and Hera were at it again.

Saving Bree

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I was so proud of the observations I garnered from the last episode.  I talked about the differences between the two time travelers Gellis and Claire.  The scenes in Rose Hall bore out what I thought.  Gellis has completely identified herself with her ability to travel. Claire accepts it as just part of who she is, but it isn’t her identity.  I loved the interplay between the two.  The cat and mouse game was fascinating.  Our Claire is such a bad liar and Caitriona played it off so well, “My driver dropped me off at the bottom of the lane and I got lost trying to find the house…”.  yeah…riiiighttttt. On some level, we got the feeling that Gellis really wants to believe that Claire is her friend.  I believed her when she said it has been hard.  She is tearful when she asks Claire why she has pursued her all these years especially after she sacrificed everything for her at Cranesmuir. She is the outsider of all outsiders.  Gellis has never met another traveler besides Claire and she feels a connection to her and yet, she cannot trust her, “Why are you here?”  They come together “ominously” according to Gellis.  Claire is smart, but she cannot keep up with the deceptive Gellis.  She cannot think like Gellis because she hasn’t her motivation and mindset, her sacrifices for the “greater good” aren’t motivated by power. So, she reveals the very thing she shouldn’t in an effort to gain Gellis’ trust, Bree.  When we see Claire at the end of the scene looking around the hall, I could practically hear her saying to herself, “what the hell just happened?”

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Lord John!  What a great scene, played to perfection.  I loved that Jamie seemed a bit surprised at John’s ability to navigate this situation and his power play.  John large and in charge was a beautiful and sexy sight to behold! I loved Lt/Capt Leonard’s comeuppance, he deserved it the ungrateful little upstart. John is all a man should be, generous, loyal, loving, kind, and strong. I’m still hopeful Diana will write him a partner worthy of the wonderful man he is.

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The show keeps giving us great couples to love. We see the reflection of Jamie and Claire’s relationship in Fergus and Marsali and what wasn’t there to love about Margret and Mr. Willoughby? The show gave us another couple who loves beyond all understanding.  I admit to feeling that they and Jamie and Claire were very out-of-place in their surroundings.  They didn’t fit and I was a bit jarred by all that was going on around them. The frenetic dancing and voodoo like ceremony seemed so incongruous with Margret’s smiles and her holding “psychic” court.  Tein Cho’s assertion that they had been invited by these “kind people” was in direct contrast with the stereotypes around them.  It helped me see it all in a different light.  I got the feeling that this ceremony was ancient and wanted to know what the other ceremonies for standing stones and fire days looked like around the world.

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I love that Jamie and Claire are completely working together as a team.  The call back to Faith and their commitment to their daughter Bree was powerful.  They were in complete understanding, sealed with a kiss and a familiar nod.  Let’s do this.  What followed was primal. Claire was fulfilling her destiny.  I found myself wondering at the powers that were controlling or attempting to control them.  I’m not sure if Zeus or Hera won, but Bree is safe from the zealot Gellis. We were given a moment to fear that Claire was being drawn back through the stones and the only thing powerful enough to combat its lure was Jamie’s touch.  It is a lovely extended visual metaphor, the power of their reaching hands, we have seen them reach out to each other so often.  And, Jamie’s last look at Bree’s photo was everything. I loved that Jamie took the time to reassure Ian and Claire and drew them into an embrace and held them close.  At that point, I felt we all needed a hug!

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With time to serve her suitably

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True to form, Jamie and Claire have drawn close through facing difficulty together.  If there were any barriers left between the two they have been broken down by the time they are back on board the Artemis.  I loved that the show slowed things down and gave us this wonderful scene.  I was so happy to see them flirting and teasing.  The humor between these two is a joy that I have missed.  They are comfortable with each other once again.  You can feel the trust and confidence in their love and their future together.  It feels solid and true.  I recognized this couple.  They are altered by experience, but I recognized them nonetheless.  This was Jamie and his Claire, Claire and her Jamie, reveling in each other.

The Eye of the Storm

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I have given the next series of events a lot of thought.  It was fantastical to be sure.  At first, I was struck by how over the top it all was.  How in the world did Jamie know where to find her in that roiling sea and how could he have swam to her? Jamie is great, but that great?  So, I asked myself, why.  Why, did Matt and Toni and the others choose to play this in such an over the top way?  They certainly had the power to do it differently. What were they trying to tell us?  I thought and I thought and I came to the conclusion that it didn’t matter.  It was a full-out, over the top, love letter to this couple and the thing between them that they cannot name, but is always there.  Why wouldn’t Jamie jump into the sea after Claire?  She would jump into the sea after him, or storm a prison, or travel through stones. Why would the thing between them not draw him to her? Why wouldn’t Zeus or Hera intervene to save them? One of them put them in a hurricane, why wouldn’t the other place them in the eye of the storm?

Forever Begins

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The story has shifted gears, it is no longer about falling in love or finding a way back to each other, but about how people stay in love.  The show has a chance to break new ground once more.  They can show us the intricacies of a long and loving marriage.  They can show us two people who are building a life together and stay together.  No matter what they face, and the Gods know they are always facing something, the love they share is a calm center in the storm.  Jamie and Claire are the core of this story, they are the anchor we hold on to that keeps us all enthralled and believing in the possibility of a love that is all that it should be.  I fell in love with the Jamie and Claire in Diana’s books and I’ve fallen in love with the Jamie and Claire in Ron’s show.  Both couples have a lot to tell us about living and love and I for one, am ready for the new world.

 

 

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A Review in Three Acts: Outlander 3:06 “A. Malcolm”

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Exposition

Prior to the Print Shop episode “A. Malcolm”, Outlander executive producer/writer Matthew B. Roberts, commented on Twitter that he just might go into hiding after the episode aired.

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At the time, I laughed because I understood where he was coming from.  The Print Shop sits on hallowed ground inside the book fan’s hearts.  I laughed at his tweet, but a part of me shivered.  I’ve seen the cast, producers, directors, designers, and the writers eviscerated by fans on Social Media. I was actually concerned for him! And, I wondered, if in part, his decision to take on writing the Print Shop scenes was based on taking one for the team! On the other hand, he got to write the Print Shop.  What a wonderful challenge.  I’ve enjoyed Matt’s adaptations in the past and I know that he “gets” how important this story and its characters are to the fans.  I trust him.  However, as much I trust him, it is difficult for us book fans to objectively watch the show. There is no way to undo what you already know.  There is no way you can completely eliminate how you related to the material or circumvent what you placed importance on. We each read the words on the pages of Diana Gabaldon’s Voyager, but how we each interpreted them is as varied as we are. I have my own personal version of the print shop, as does every other book fan.

Through the last two seasons, I have come to understand and accept what it means to adapt a book for the screen. Fortunately, for me, I have enough life experience and a mind open enough to recognize when my expectations are unreasonable or just plain unrealistic. After reflection, I usually understand that it is impossible for another person to be able to tell this story putting emphasis on just those things I find important because for them it is a slightly or vastly different story than mine.  Impossible, a part of me knows it is impossible, yet every week I tune in to see how well “they” told “my” story.  I watch with an eye looking for my favorite scenes and an ear waiting to hear the next line of my favorite dialogue. This week was no exception. I know this is a tough concept, but “They” aren’t rewriting Diana’s books, they are telling a visual episodic story based on her books. That is reality. It might be reality, but Matt understands that the reality that he is writing an adaptation won’t mean shite to some fans this week.  They will want to see their version of the print shop on that screen.

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Imagine my surprise when after viewing “A. Malcolm” for the first time, I was the fan looking for matches and straw.

This week it was difficult for me to deal with reality and let go of the strong expectations I had placed on this adaptation. The material in this episode was just too close to my heart and it felt personal. It took me several viewings to see what story I was actually being shown. So, this is the story of my watching episode 3.06 written mostly in real-time from my immediate reactions… if I sound bit beside myself…I was…DON’T JUDGE ME UNTIL THE END…pretty please with sugar on top?

Act I: With Bated Breath

I’m trying to get a grip because after watching A. MALCOLM, Outlander’s Print Shop scene for the first time, I’m in shock and not in a good way.  I have never been so disappointed in an episode in the entire time I have been watching the series. Where is the power, the need?  I’m struggling to understand why the focus went where it went especially when it should have been so clear!!!

Focus for the reunion

  1. A couple who have longed for each other for over 20 years are reunited.
  2. A couple are overcome with emotion, as they would be when someone is “RESURRECTED” from the dead!
  3. A couple spends time in awe, touching and staring at each other as they would because someone they love has been “RESURRECTED” from the dead!
  4. Overcome by seeing his daughter for whom all is sacrificed and having the lost love of your life “RESURRECTED” from the dead and sitting beside you, results in an emotional catharsis that only a great love and a great sacrifice could engender!

Instead…

  1. tender exchange with a madam
  2. Geordie
  3. eyeglasses
  4. business as usual
  5. background boobs
  6. lesser dialogue
  7. just less…

I have defended this show and these writers because I could always see a rationale for what and why they did what they did and if I didn’t understand, I was patient because I knew they had a long-range vision for the story and I would know the reason eventually.  But THIS moment will never come again and there isn’t enough time to rectify it because “that amount of time doesn’t exist”.

ACT II: Taking Off the Book Goggles

It has taken me hours to calm down.  I was nothing short of angry, disillusioned, and sad. I gave myself a little time to reflect and realized that I have felt this way before, maybe not to this degree, but I had felt this before. I forgot to take off my book goggles. So, I’m going in again and going to try to look at what is actually on the screen and not pay attention to the scenes in my head.

Easier said than done.

Alright, so the emotional staring, touching, and shaking was there. Just not in the amount that I expected.  I yearned for that “slobber knocker” scene where they cried and shook in each others arms with “longing of twenty years” streaming down their faces.  What I got was way too short and left me feeling as dissatisfied as finding out there would be no J and C carved into their flesh, a fight in the abbey with Jamie’s demons or my patiently waiting for that final night that was meant to tide them over for a lifetime and finding it had been turned into a quickie.  And, I still can’t even find the words to express my disappointment over the scene with Bree’s pictures. In my mind and heart, it is the most poignant scene in the entire book if not the series. He has just seen Bree…Claire is there….there is closure…his sacrifice wasn’t in vain…so, his reaction is to tell Claire he has another kid? …sigh…WTH?

Claire bothers me. Has her time with Frank beaten her down this much?  Has all her self-confidence been eroded?  I don’t recognize this mouse. What the hell is THIS Claire feeling?  I want the Claire who puts her chin up and goes after what she wants. Feeling scared and a bit insecure is one thing, but if she was that frightened and sure he had made a life without her, why did she make the decision to go? I want to see that she has “…the devil’s own courage.”

Okay, I felt the scene in the brothel was very well done. Walking through that parlor, hearing the noises through the walls increased the anxiety and doubts for both of them. They have had no time to really talk and it was a great way to show us Claire is worried that Jamie is too different and Jamie worried he is too changed. I felt a lot of key dialogue was kept here and like the idea that they spent time talking over dinner, filling in details about their lives apart and seducing each other with hands that break bread and mouthes that burst grapes. It was condensed and I realize that was needed, but I’m still grieving over the lost scenes in the print shop. Because, without them this beautiful sex scene just doesn’t have the same depth of meaning. Those folks who have been waiting for sex between these two will be satisfied, but I wanted no doubt left that these two have burned with a need for each other that went beyond lust. This sex should be the final piece in the puzzle that brings them all the way home to each other.

ACT III: When Living in the Boonies is a Boon

And, sometimes the universe intervenes.  I watched it a third time on my computer. My internet is so slow that it was buffering about every 30 seconds. It forced me to slow down and really look. What I saw in between the buffers was mesmerizing.

I teared up.

How could I have missed so much?  Was I so invested in MY story that I couldn’t see THE story being told?  I was transferring my expectations onto this episode and missed all the nuance. The power and need I longed for was there, but made all the more powerful for the carefully tender way it was presented. I thought there wasn’t any chemistry between these two actors? What a laugh. I’m not sure my husband of 41+ years and I are more in tune with each other than these two. I couldn’t have been more wrong about this episode, so let me revisit my first points again…

Focus for the reunion

  1. A couple who have longed for each other for over 20 years are reunited. 
  2. A couple are overcome with emotion, as they would be when someone is resurrected from the dead. What I saw this time was the wonder. Claire reaching out to touch him, but stopping herself, but then having to reassure herself that he is there in the flesh. The catch in her voice when she tells him she thought he was dead. Jamie staring and whispering her name reaching out for her. 
  3. A couple spends time in awe, touching and staring at each other as they would because someone they love has been resurrected from the dead.  Jamie’s words about seeing her smiling with her hair curling about her face were some of the most heartbreakingly intimate lines I’ve ever seen delivered. “But, you never touched me”, and she says, “I can touch you now”.  It seems as if the world should stop, but it still turns, life goes on despite what has just happened. Instead of angels tears, we got spilled ale and wet pants and a gentle bit of comic relief that reminds us that this whole situation is bizarre.  Jamie forgot she was still his wife until Claire poses the question with her heart and her hope in her eyes. They have been apart a lifetime. We see the conflicting emotions on his face and the audience knows something is wrong. We see Claire follow him to the back room and look around at his world, the life he has made without her and we feel her fear that she will see something that will dash all her hopes. She walks as if she is unsure of her footing, doesn’t know what to do with her hands or what to do next, but her smiles say it all.  She cannot hold them back, but they are tremulous. Their eyes are quick to tears and their voices thick with all their suppressed emotion. They are strangers with familiar faces. A beloved memory become flesh. 
  4. Overcome by seeing his daughter for whom all is sacrificed and having the lost love of your life resurrected from the dead and sitting beside you, results in an emotional catharsis that only a great love and a great sacrifice could engender.  He tries to hold it together, but is overwhelmed, closes his eyes and asks for her name.  When he hears it, he takes in a breath as if he is breathing her to life. She has a name. He has a child named Brianna. We see a tender moment when he remembers their first-born Faith and we know he has never forgotten. Claire is moved by their shared grief and we recognize with her the depth with which this man loves. I still miss him slowly falling apart in her arms allowing himself to finally express the weight of all that has happened, but what I saw instead was moving. What I once saw as an odd reaction to seeing Brianna’s pictures now makes more sense. He has another child he has lost. He shares Willie with Claire. He shares, his shame, guilt, sorrow, and joy with …Claire, the only person with whom he can share such a thing because she is his home, his sanctuary, the only place where he need not “guard his words or hide his feelings”. Claire will love Willie because he is Jamie’s. We start to see the unconditional love and trust that still exists between them. Moment by moment, word by word, we see them draw closer. 

What we got instead was the best thing I never knew I needed…

  1. We got to see a tender dance between two people trying to find each other again that felt believable.
  2. We got to see that despite his “unsavory” occupation and living in a “kittle hoosie”, Jamie has maintained his values and beliefs; he is concerned she left Frank to be with him and even though it hurts he wants to know if she was loved, shocked she would think him a customer of the Madam, guilty over Geneva, continues to take care of his responsibilities even when Claire is suddenly there because people depend on him, and he still fights for justice, this time with words. He is still the man she loved at his core.
  3. We saw a woman on the edge of no return. She really was afraid because she really had risked it all. She had no plan B. She was vulnerable, anxiously looking for proof, for evidence that she wasn’t wrong and …found it.  “What was once true is true again”. It has always been forever for him. He has loved no one but her.
  4. We saw two starving people make love and revel in the miracle of what it was between them that they could not name, but was still there. As predicted, Jamie “breaks through” the layers of deprivation and defense and then they delight in each other, slowly exploring and letting their bodies express what it means to each to be together again.
  5. We got to believe in love.

Denouement: Where the Author Ties It All Together

The show cannot win, it is literally impossible for them to please everyone. And, so they only have one choice, to do what they think best tells the story and hope that it plays well on the screen. If my personal investment in and reaction to this episode is any indication, “A. Malcolm” might generate some feelings and maybe Matthew B. Roberts, was right to believe he needs to go into hiding! Not because he didn’t do a good job, but because of the books in our heads. He might have wanted to show my “slobber knocker” and “gently fell to pieces” moments, but for whatever reason it didn’t work or maybe they just decided to go a different way.  Either way, I had to let go and just watch what story I was being told not the one I thought I should be told. At this point, it is hard for me to believe I could have ever been upset. It is a beautiful story, beautifully told. I tried to think of an image that would encapsulate this episode and what came to mind was Jamie and Claire, as a red rose bud with petals tightly layered, a thing of potential beauty.  Moment by moment, word by word, touch by touch, their souls are nourished and in the end…they bloom. The episode addressed important emotional beats and once again walked that fine line between honoring the source material and staying true to themselves and the story they are telling. Our beloved books will always be there and we can visit our print shops anytime we want, but I’m hoping that other fans who forgot to take off their book goggles like me will have the faith to take them off and watch this print shop twice or thrice. It is everything the Print Shop was meant to be and more.

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P.S. I know I haven’t said much, other’s have and done much better than I could have, but how wonderful were the costumes and sets?! They continue to add so much to my understanding of these characters and this story. The neckcloth is bringing sexy back! And, the thought Terry put into Claire making her own outfit!  I’m so grateful for what she shares with fans. The research Jon Gary must have done to give us the print shop! It all feels so real and has to impact these performances! What a quality production, so detailed and lovingly created.  And, the new characters?! I’m pretty sure Geordie is every sarcastic passive aggressive person I’ve ever worked with! LOL!  Young Ian and Fergus…how perfectly perfect they are …sigh…makes me excited for the future.