Women Love Jamie Because He Talks In Bed…why yes,…he does and why yes,…I do

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I’ve been re-reading The Fiery Cross by Diana Gabaldon and I forgot how many of my favorite scenes were in this book!  I think I forget because the focus when people talk about The Fiery Cross is usually about the pages (and more pages) devoted to the gathering  that I jokingly (and affectionately) call the longest day ever written.  To tell the truth, it was a bit of a slough the first time I read it, but true to almost everything Diana has written, over time, I have grown to appreciate those chapters more and more.  She has become my favorite writer and as a person who fancies herself a writer, I’m always eager to read anything about Diana’s writing process or  what she thinks about her own characters.  I want a keek at her brain!  So, I was thrilled when I recently got a delightful glimpse into her thoughts about her well beloved character James Alexander Malcolm Mackenzie Fraser… who talks in bed.  

Erin Conrad, of Three If By Space, tweeted from an EW fan convention that Diana, responding to a fan question, said the reason women love Jamie is “because he talks in bed”.  I giggle-snorted when I read this and then thought, “Why yes,..yes, he does and it is definitely swoon worthy”. In fact, some of my favorite  Jamie moments are found in their bed.  

There has been a lot of discussion in the fandom about what we hope to see in season 3 of Outlander on Starz.  One of the biggest things fans hope to see is more time in bed with Jamie and Claire.  Some want to see them make love because let’s face it , Diana wrote some fantastic love scenes and as one of my readers put it, “I’m not paying Starz to use my imagination!” Yep. Another reason some fans lament the lack of sex in season 2 is that they miss the communication that happens when those two are in bed together. Sex is an integral part of how they communicate with each other, it is often how they connect when words just aren’t sufficient or there are no words. However, the things Jamie does say in bed…sigh…are funny, playful, moving, tender words that really could move a heart to love him.

I tried to think of my favorite moments and to tell the truth it just isn’t possible!  Each time I would think I’d narrowed my choice down another heart warming or pounding moment would leap to mind.  From Outlander to Written in My Heart’s Own Blood, the relationship between the two is both revealed and shaped in their bed and choosing a favorite seems impossible because each moment is a part of the whole, each moment important.

During their honeymoon, Claire muses about finding herself  the sexually experienced one in the relationship and thinks “…there are in fact only a limited number of ways in which two bodies can meet, and we had not yet established that territory of intimacy in which the act of love takes infinite variety.” Diana has always maintained that writing a good sex scene isn’t about the exchange of body fluids, but about the emotional connection.  Jamie and Claire’s sex life moves into the territory of “infinite variety”  because of what is said in their bed and each “coming together” becomes unique and important.  It is the words that are said between the two that make the physical act meaningful.  When Jamie and  Claire are in bed it is as if the world goes away and he speaks to her as we all wish our men would speak to us, open and vulnerable because they trust us to be gentle with their hearts.

JAMIE THE COMIC

IMG_0427Many of the moments in Jamie and Claire’s bed are funny; what animals have you seen, hedgehogs, and the King of Ireland come to mind.  When Claire returns to him in Voyager the importance of these moments becomes clear when Jamie tells Claire he never thought he would laugh in a woman’s bed again.  Being able to laugh together in bed is rare gift of intimacy and comfortableness.

“Aye, well,” he said. “I dinna recall Adam’s asking God to take back Eve—and look what she did to him.” He leaned forward and kissed my forehead as I laughed, then drew the blanket up over my bare shoulders. “Go to sleep, my wee rib. I shall be needin’ a helpmeet in the morning.”

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Their laughter often makes me as teary eyed as their more serious moments.  But, the serious moments are so revealing and represent the many different levels of intimacy.

EMOTIONAL JAMIE

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One of my favorite things about Jamie is his gratefulness and I’m always moved by his expressions of gratitude for what God has given him and that most certainly includes  his relationship with Claire.

 “And yet”—he turned me toward him, hand closing gently over one breast—“yet when I think of you wi’ my child at your breast….then I feel as though I’ve gone hollow as a soap bubble, and perhaps I shall burst with joy.”
He pressed me tight against his chest, and I hugged him with all my might.
“Oh, Claire, ye do break my heart wi’ loving you.”

DRAGONFLY IN AMBER Chapter 6:

VULNERABLE JAMIE

does-it-stop“Does it ever stop? The wanting you?” “Even when I’ve just left ye, I want you so much my chest feels tight and my fingers ache with wanting to touch ye again.”  OUTLANDER, Chapter 17

I loved this scene because of the awe and wonder he expresses.  To me this is the moment when he begins to understand that sex is more than the physical act.  Every woman wants to hear that a man cannot stop feeling desire for her and that he aches for her.

JAMIE IN CHARGE

master“Not yet. We’ve time. And I mean to hear ye groan like that again. And to moan and sob, even though you dinna wish to, for ye canna help it. I mean to make you sigh as though your heart would break, and scream with the wanting, and at last to cry out in my arms, and I shall know that I’ve served ye well.”       OUTLANDER, Chapter 41

This scene signaled that Jamie has come into his own as a lover and that Claire is no longer the teacher and he the pupil. He has become aware that he has the power to make her feel and he revels in it. She, I’m sure, revels in his power, as well. Take charge Jamie is hot.

HONEST JAMIE

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Jamie is a very emotionally mature man, a man who takes ownership of his perceived failings. His honesty is startling and endearing and gives Claire permission to reveal her own confusion and weaknesses.  He makes her feel emotionally safe with his openess.

“I always thought it would be a simple matter to lie wi’ a woman,” he said softly. “And yet… I want to fall on my face at your feet and worship you”-he dropped the towel, and reached out, taking me by the shoulders-“and still I want to force you to your knees before me, and hold ye there wi’ my hands tangled in your hair, and your mouth at my service… and I want both things at the same time, Sassenach.” He ran his hands up under my hair and gripped my face between them, hard. “I dinna understand myself at all, Sassenach! Or maybe I do.”  DRAGONFLY IN AMBER Chapter 17

 POSSESSIVE JAMIE

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 “All right,” he whispered. His eyes bored into mine, daring me to close them, forcing me to hold his gaze. “All right. And ye wish it, I shall punish you.” He moved his hips against me in imperious command, and I felt my legs open for him, my gates thrown wide to welcome ravishment.
“Never,” he whispered to me. “Never. Never another but me! Look at me! Tell me! Look at me, Claire!” He moved in me, strongly, and I moaned and would have turned my head, but he held my face between his hands, forcing me to meet his eyes, to see his wide, sweet mouth, twisted in pain.
“Never,” he said, more softly. “For you are mine. My wife, my heart, my soul.”

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Sometimes jealousy is okay and sexy.  Who wouldn’t want to be this man’s wife, heart, and soul?

GENTLE JAMIE

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I’ve often told my husband those moments when he is gentle are extremely meaningful to me.  When he looks tenderly into my eyes and touches my face gently with his big hands, I feel cherished.  Jamie has so many of those moments when his gentleness lets Claire know she is cherished. This scene when she wakes and finds he is watching her sleep and murmuring his love to her makes me tearful everytime.

“What is it, love?” I whispered. “Jamie, I do love you.”
“I know it,” he said quietly. “I do know it, my own. Let me tell ye in your sleep how much I love you. For there’s no so much I can be saying to ye while ye wake, but the same poor words, again and again. While ye sleep in my arms, I can say things to ye that would be daft and silly waking, and your dreams will know the truth of them. Go back to sleep, mo duinne.”
I turned my head, enough that my lips brushed the base of his throat, where his pulse beat slow beneath the small three-cornered scar. Then I laid my head upon his chest and gave my dreams up to his keeping.                                                                    OUTLANDER CHAPT 45

JAMIE A LOVE FOR ALL TIME

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Every woman wants to find a mutually passionate relationship.  She hopes to find someone she feels free to love with all her heart . Jamie’s ability to express his love for Claire is nothing short of poetic.

“I was dead, my Sassenach–and yet all that time, I loved you.”

I closed my eyes, feeling the tickle of the grass on my lips, light as the touch of sun and air.

“I loved you, too,” I whispered. “I always will.”

The grass fell away. Eyes still closed, I felt him lean toward me, and his mouth on mine, warm as sun, light as air.

“So long as my body lives, and yours–we are one flesh,” he whispered. His fingers touched me, hair and chin and neck and breast, and I breathed his breath and felt him solid under my hand. Then I lay with my head on his shoulder, the strength of him supporting me, the words deep and soft in his chest.

“And when my body shall cease, my soul will still be yours. Claire–I swear by my hope of heaven, I will not be parted from you.”

 DRUMS OF AUTUMN, chapter 16

Jamie has raised talking in bed to an art form and we readers find ourselves appreciating his talent…a lot. I know that Jamie is a fictional man and perhaps ideal, but I can’t help but believe that real men could learn a thing or two about talking in bed from him.   Diana has created a man who makes us love pillow talk and him.

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Get ready for sexy old folks……a reflection on Outlander season 3

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Caitriona Balfe just celebrated her 37th birthday on October 4th.  All day long, I saw well wishes for her flash across my social media sites.  Outlander’s fans, the cast, crew, and creators were all wishing her the happiest of days and thanking her for bringing Diana Gabaldon’s character the WWII nurse, Claire Randall Fraser, to life.  Her birthday fell in close proximity to a few casting and award announcements and the unveiling of a new EW cover (the cover was tweeted one day after I wrote this http://wp.me/p4mtBT-4BP coincidence?…I think I’m clairvoyant! LOL).  All of this news had me thinking about season 3 and I’ve got ideas jotted down and several articles in creation about Fergus and Ian and Marsali.  There has been lots of inspiration for an Outlander blog! Today, however, I find myself still thinking of Caitriona’s birthday.  She is 37 on the upward slope toward forty which often is the point of no return or should I say no role for most actresses. Have you seen Amy Schumer’s skit on the subject?  https://youtu.be/XPpsI8mWKmg

I know that Cait has said that she has no interest in being a starlet and so, I’m wondering  if she had any real idea how fortuitous it was she said yes to playing Claire? She has an opportunity to play a character that will not only continue to grow as a person, but she will get the chance to play a character who ages.  She is going to get to play a female character who still has an active sex life past forty.  In fact, her character still has a passionate sex life…until she’s…well, last time I checked Claire and her Jamie were grandparents who indulge their appetite for each other…often. Folks,…Outlander has the chance to once again break some ground in portraying sex on TV. Brace yourselves there is a chance we will see hot sex between two older monogamous married people who are passionately committed to each other.

First, let me say that the older I get the older still being young seems to get.  I can remember when  I thought 50 seemed the end of the line for everything including being sexy.  I recall reading a reflection Erma Bombeck wrote about turning 50. She was looking forward to being able to dress in loose pants and going to the grocery store without makeup.  She believed there would be less pressure to conform because nobody cared what you looked like when you turned fifty.  Evidently, Erma and I believed their was an expiration date on sexual attractiveness.

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I’ve been married to the same man going on 41 years.  We still hold hands and kiss…in front of people…like our children, which for some reason totally grosses them out.  We hear things like “Stop!  We get it, we get it, you still have sex , but just… STOP!”  LOL!  It’s not like we are groping each other and swallowing each other’s tongues and need to be told to get a room.  Usually, it’s just a “moment” when we feel affection or gratitude and lean in for a gentle kiss and a look into each other’s eyes.  I would think knowing your parents feel this way about each other would be a good thing, but evidently,…not so much. This leads me wonder how Outlander will portray sex between it’s two main characters who are rapidly approaching fifty.  I’m wondering if they know they have the chance to once again break the mold when it comes to how sex is portrayed on the screen, because believe or not, people over fifty do have sex lives.  One of the things that has kept me attracted to this book series is Diana Gabaldon’s decision to go beyond the falling in love stage in relationships.  She decided to write about love that lasts for fifty years.  I think that’s why some of the books that come later in the series like A Breath of Snow and Ashes are my favorites.  I read them and find myself nodding in recognition of the truth of what it is like to be in a committed relationship.  

I believe that our society has a very unrealistic view of being in love which Hollywood has tended to perpetuate.  We tend to believe it’s like the fairytale. Happy endings aren’t necessarily easy to obtain. Ms. Gabaldon’s books take the reader beyond falling in love and into the everyday realities of how people stay in love despite tragedy and hardship.  

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My husband once told me about a conversation he had with one of his young college football players.  The young man had gotten his girlfriend pregnant and was going to drop out of school. My husband told him our story which included my getting pregnant at 18 and his not dropping out of college.  He told him it could be done and he would help him find a way to make it happen if the young man wanted to stay in school.  My husband said he felt the need to tell the young man the truth about marriage, “Marriage is the hardest thing I’ve ever done, but it is the thing I am the most proud of”.  Diana’s books give us a portrait of the self-sacrifice, acceptance, loyalty, and sometimes the forgiving it takes to maintain a long-term relationship.  One of the reasons some fans lament the lack of sex in season 2 is that they miss the communication that happens when those two are in bed together.  Sex is an integral part of how they communicate with each other, it is often how they connect when words just aren’t sufficient or there are no words.  It rings true to me, sex is important for a variety of reasons in a marriage and I hope season three of Outlander will show us sex between this older couple that comes close to approximating real-life because for the most part Hollywood hasn’t.

I find myself more and more fascinated by the role film plays in our perceptions, particularly of women. In general, Hollywood has an abysmal record when it comes to representing women as real members of the human race and that includes representing aging women in film.

Men over 40 accounted for 53% of characters whereas women that age represented 30%. That has implications for the number of female authority figures onscreen.

Age is one issue among many that has endured in Hollywood. The study found that among actors over 40 in film and television, 74.3% of characters are male and only 25.7% are female.

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When they do put older women paired with an older man in a film the relationship still isn’t portrayed as sexy, but instead is “typically portrayed as sweet, cute and humorous”. It is about companionship rather than a real relationship.

If you watch a random assortment of Hollywood movies, you could be forgiven for believing that the only people who have sex are in their 20s and, occasionally, 30s. When people in their 50s and older engage in an on-screen romance, their relationship is typically portrayed as sweet, cute and humorous.

In other words, the message that film-makers send us is, “Sex is for when you are young. Companionship is for when you’re older.” While it’s true that most of us know more about relationships now than we did as teenagers, this certainly doesn’t mean that sex has left the building. Far from it! In real life, baby boomers are saying that sex gets better with age.  (read this great article with Dame Helen Mirren about sex after 60) http://sixtyandme.com/should-hollywood-embrace-sex-after-50/

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Curious, I began looking for information to read about older women and sex in film.  One article link that popped up on my screen was entitled “The Top Ten Sex Scenes of Actresses Over 50” on a webpage call MiddleSexy which promotes the idea that sex when we are older can be better than when we are younger “older/better/sexier”.  I was hopeful that what I would find was a list of films that showed women over fifty in “realistic” sexual relationships…not so much.  In this article, 9 out of 10 of the films listed involved older women having sex with younger men and one about incest.  Evidently, Hollywood and the author believe only “cougars” can be sexy or have hot sex.  http://middlesexy.com/2014/10/21/top-10-movie-sex-scenes-featuring-actresses-over-50/

Men, as Amy Shumer’s skit suggests, don’t have an expiration date and are still seen as f*able no matter how old they are.  Do you remember the fuss over Carrie Fisher’s not aging well in the new Star Wars movie? http://wp.me/p65lj4-2r Women are consistently told they are too old to play the love interest of men older than themselves.  https://www.theguardian.com/film/2015/may/21/maggie-gyllenhaal-too-old-hollywood

I asked myself if I could remember a film that actually showed an older couple having hot sex. The only movie I could think of was The Thomas Crown Affair with Rene Russo and Pierce Brosnan.  It was definitely sexy, but missing a key component for me…the ever after part.  This was still just another falling in love story. However, it should still be considered ground-breaking for it’s portrayal of an older couple having passionate sex. I would have loved to have seen a sequel to that movie.  Were those two character able to make a relationship work?! 

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The good news is that there seems to be more attention being paid to Hollywood’s issues with women in general.  Outlander has been part of a movement that has shown that TV with a female protagonist can generate audiences and money.  One of the biggest reasons we don’t see more realistic portrayals of older couples on the screen is because there aren’t enough women behind the camera and enough good roles being written for older women.

You’ve got to go behind the camera to fix things in front of the camera.http://nymag.com/thecut/2016/09/youre-the-worsts-aya-cash-on-ageism-in-hollywood.html

But, here’s some even better news…Outlander has two seasons to show the world that sex between two older committed people can be hot and meaningful too.  

Icebergs, Prince, and Outlander…My reflection on episode 2.3

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So, who the heck on the Outlander set is messing with the time continuum?  I’m convinced someone is experimenting with time travel because that was the shortest hour of television I’ve ever watched! It flew by and I found myself surprised when all too soon it was over! I believe I actually screamed NO! when the screen faded to the credits.  I have to wait a whole other week to find out what happens next? Say it isn’t so! Grief stricken, I did what any normal feeling person would do…I rewound the episode and watched again!  Whose a Time Lord Now!?! BOOM!

I  don’t do recaps.  I feel like you all watch the show if you want to know what happens next.  I don’t necessarily do reviews either.  I believe there is an element of a review when I sit down to write about an episode of Outlander, but I think what I’m really doing is …reflecting? I know what I do isn’t everyone’s cup of tea and after this week, I’m okay with that.

I’m big at making connections.  I tend to make meaning between loosely related ideas or disparate events.  A friend told me that I see a thread and pull on it until the whole thing unravels.  I like that image.  It rings true to me.  Somehow, in the process of unraveling, I make meaning and then reassemble the whole thing using a story to tell a story. That is what happened this week when I sat down to write about Outlander 2.3, “Deceptions and Useful Occupations”.   I saw a thread and pulled; Icebergs, Prince, Outlander.  Not sure you could get more disparate.  But, here I go.

ICEBERGS

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There is a phenomenon called the teacher job satisfaction curve. Teaching is a profession for idealists. Teachers want to believe that we touch the future by teaching children. We are life-long learners who constantly hone our craft in an effort to engage our students in learning in the hopes of creating a spark that will make them want to learn more!  We start out every school year excited to get into that classroom and make a difference in children’s lives.  We envision students who will arrive in our classroom ready to  learn! Students who have loads of untapped potential, who are just waiting for us to inspire them!

Yep,…reality…not so much …sometime right before Christmas break you start counting the days before retirement.  The enormity of the task you have taken on becomes crushingly obvious.  There are so many variables you are unable to control.  Not all students are ready to learn or even want to learn. If I heard, “but, we’re Seniors!” one more time, I seriously thought my head would explode!  However, the disillusionment we all feel in December begins to fade and you start to feel hopeful once again.  After all, there is always next year and so, I begin to reflect on the current year and how I will make changes and hone my skills to inspire students next year, … for sure!

During this period of reflection (at my desk at the end of 4th period), I had a particularly puzzling student approach me with a friend to ask my advice.  Without giving away too much, I doubt she will ever see this, but still, there were things happening in her life that would have made it difficult for anyone to concentrate on “The Importance of Being Ernest” or “The Canterbury Tales“.  I hope my advice did help because often I feel helpless to affect change in their lives, but her asking me reaffirmed that even when we don’t think we are making a difference…sometimes, we are.

Thinking of what this girl projected on the surface made me think of icebergs.  And, I was reminded once again to look at my students a little deeper. That behavior that drives me insane may have very deep roots and the anger or apathy they display may have nothing to do with my request that they pay attention or stop talking and everything to do with how they are trying to deal with what is happening inside themselves.

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PRINCE

This week also brought news of the death of the artist Prince.  An outpouring of grief and love for this man was found all over the news, social media, and the streets, even here in Ohio.

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Many of us became reflective.  We asked ourselves what this man’s life had meant to us, including Terry Dresbach, costume designer for Outlander.

…not only is he an incredible artist, he is a man of principal and ethics, he is fiercely independent, he is going to do things his own way. He is not going to bend to the commercial interests of corporations. He is going to control his own art. He may be as famous for his willingness to go to the mat for his work. Famously giving up his own NAME rather than control of his music, scrawling SLAVE on his face for public appearances. He refused to give up in the face of the corporatization of the music industry, fighting to the end for the rights of the artists…

So what did he mean to me?

Who am I? I am an artist, first and foremost. I am a product of my time and place. I am part of a generation,…

…As the child of union organizers and political activists, I struggle every day as an artist in a corporate world I struggle as a human in a human world. Ron constantly asks me if I could not make everything into one of my “social justice” issues. No, actually, I can’t. I will always struggle against the tide that says we all need to be managed and formed to a polished symmetry that never colors outside the lines. Whose voices and very existence, should be managed and tailored to fit into an expectation. Group think…

Well that ain’t gonna happen. I am going to continue to be me. I’m going to throw elbows at anything or anyone that tries to control me as an artist. I am not going to hire anyone to manage me or my voice. I am going to fight hard against anything like that, big or small. And I am going to play Prince as loud as I can while doing it.    http://www.terrydresbach.com/when-doves-cry/

I was very moved by her self-examination.  This world can put so many pressures on us to conform.  Sometimes, conformity is the right thing to do, but sometimes it isn’t.  It isn’t the right thing to do when you find yourself acting in ways that are untrue to your own ethics and beliefs.  It isn’t the right thing to do when you feel compelled to dim your light, so that others won’t be seen as lacking brilliance.  Attempts to hide your true self never end well.  I’m convinced that many of the world’s angry and depressed people are those who have for whatever reason not allowed themselves to be themselves.  People always come out sideways when they feel suppressed and managed.  Like Terry, I believe the only way to live authentically is to make conscious choices that are true to who you are and not what others expect you to be.

OUTLANDER

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So, ….that was a long way to get here.  The fact that I CAN apply lessons about life to this story makes me happy.  I am proud that there is a TV show on the air that isn’t afraid to show characters who grapple with moral and ethical choices, characters who struggle to do the right thing and still be true to themselves.

I will defend the writers and producers’ choice to let us see Claire and Jamie struggle to find their way back to themselves and each other to anyone who feels that this weakens their character.  The characters, the story, and therefore, the show are the better for it.  I have said it before and will say it again, it is a mistaken belief that because Jamie is strong and brave he would suddenly be able to pull himself up by the bootstraps and snap out of what he experienced.  In the book, what Claire did in the abbey was a desperate attempt at what we would now call aversion therapy.  She exposed him to what he feared and allowed him to fight back like he couldn’t before.  That would have been very difficult to reproduce in a visual format.  In fact, it took me several readings to truly understand what she did. Like most victims of such violence, TV Jamie has to figure out how to live without such a dramatic intervention and as a result, the Jamie we see on the show is… an iceberg.

 

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Dressed in sumptuous silk, smiling, going about his work, plotting  to stop the Jacobite rebellion is the top 1/4 of Jamie.  It is the part the world sees. The part we don’t see is powerfully large.  That Jamie we knew was destroyed “he broke me, I knew it, we both did”.   It is no wonder that he isn’t the Jamie we all know him to be. He is a shadow of the man he was.

Claire struggles to help him.  She tiptoes on egg shells.  Anyone who has lived with a spouse with PTSD could confirm that their loved one is altered and that they struggle to have any intimacy/closeness.  Jamie’s identity has been shaken to the core. He cannot get “him” out of his mind. Add to this struggle playing a role, being deceptive; something that goes against everything Jamie believes himself to be and you have a formula for an explosive situation.  Jamie is coming out sideways, “When do I get to feel good, when do I get to have meaning in my day?”  It isn’t that he doesn’t want Claire to be happy.  He does, but he isn’t himself.

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I love how they chose to juxtaposition Claire’s struggles with her own identify and secrets with Jamie’s.  She isn’t herself either. It is so complicated.  They are both living a lie and trying to find themselves again.  No one is going to be happy until they can.

I loved the filmed metaphor of Jamie walking down the hall and Claire following him. Every time she gets a glimpse of Jamie (and we do too, glimpses of the old Jamie) he walks behind a wall. Yet, she still follows and keeps trying.  I predict the pay-off for our patience and Claire’s will be some of the most moving television ever filmed.  It is going to get worse before it gets better, but when it gets better we will have a couple whose journey will form a bond unbreakable …even by time.

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Jamie and Claire Fraser…Courtiers

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Soon, (a relative term) Outlander fans will be making a weekly appointment with Starz to watch their favorite couple Jamie and Claire Frazer navigate the salons, ballrooms, and dining rooms of the French Court of Louis the XV. The picture Starz painted of the Frasers’ new life in the first Season 2 trailer was visually far and away from muted and earthy Scotland.  Being a curious soul, I found myself wanting to know more about life in Versailles.

The story goes that Louis’ great grandfather, Louis the XIV, worked for thirty years to make the palace opulent as recompense for a childhood of relative poverty (it’s said he slept on tattered sheets and his mother had to pawn the crown jewels).   Versailles was literally built around an old hunting cabin and eventually was half-a-million square feet, had 700 rooms , 67 staircases. and 6000 paintings.  No surface was left unadorned. Gilded paneling, crown molding, brocaded or flocked wall coverings, allegorical paintings of Greek gods, floors patterned with parquet or colored tiles were found in every room.  Everything from furniture to finishes was embellished. It was a visual feast.

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Louis the XV was said to be a bit less into the pomp and ceremony his great grandfather seemed to enjoy, but still, on a daily basis anywhere from 3,000 to 10, 000 people were in attendance at the palace.  In an effort to gain control over the nobility, the King often required them to live with him.  Attending the King took them far from the daily operations of their estates and put them under his watchful eye.

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A courtier is defined as a person who is often in attendance at the court of a king or other royal personage or a person who seeks favor by flattery, charm, etc.   This certainly described life for the courtiers of Louis the XV. Currying the king’s favor was serious and tricky, courtiers needed to tread carefully because the King could make them or break them. Nobles needed his permission to do basically anything, so remaining in his good graces was vital. 

…a very varied society with a rigid hierarchy. Some were there by birthright, others by social obligation, others out of self-interest or curiosity, and others still to earn their living. The high-ranking nobility were often present, currying the favours of the master of Versailles.

…Among the courtiers, those who held a role were said to be “established” at Court. These roles, either inherited or purchased, often very dearly, corresponded to a function or office.

… Living quarters in the palace were also highly sought after. They avoided much travelling back and forth and provided a place of retreat for those moments when one was not at Court.

http://en.chateauversailles.fr/?option=com_cdvfiche&idf=D49E0D38-2622-D151-2217-6E71CAB84BE0

 

To stay in a state of royal grace required being up on the latest rumors and news. Information was power and the court was where everything was happening, kind of like the Outlander fandom x1000. #KingSam and #QueenCait  These folks lived by a very strict code of etiquette and adherence to the Monarch’s whims. Whether it be it how to sit properly, knowing the latest dance steps or wearing the latest fashions,  being a courtier was serious business and a serious competition. With so many in attendance gaining the King’s attention was no easy task.

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“beauty or wit, rivaled with dazzling finery to attract the Monarch’s attention.”

Hence, the need, as  Outlander’s costume designer, Terry Dresbach says, for everyone to look like “a butterfly”.  Enter Jamie and Claire, a tall red-headed Scots decked out with plaid and his English rose dressed in a blood red gown. You just know that Terry and her crew will have created a dress worthy of the King’s attention!

There is a lot more to know about this world and I’ll be writing these little tidbits to help satisfy my curiosity and maybe enriching my watching experience.  Hope you’ll join me as I explore!

 

 

 

 

Thanks Cait and Sam for Jamie and Claire…Quintessential Moments.

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image I’m watching the first eight episodes of Outlander in preparation for my standing appointment with the Starz channel every Saturday night.  While watching I was struck again by what a great job the actors are doing portraying my favorite characters.  In fact, there are some moments that scream Jamie and Claire!  Moments that are quintessential !  Here are some of my favorites. QUINTESSENTiAL CLAIRE: A lot of folks give Caitrionia Balfe praise for her portrayal of Claire’s strength, pluck and downright sassiness. It is well deserved praise. Claire is a smart, strong woman and Cait makes those qualities obvious.  However, it was her more subtle performances that convinced me she was right for the part. One of my favorite things about Claire’s character is her lack of guile.  She isn’t a woman who is motivated by greed, money or political gain.  She hasn’t much need for manipulation or lies.   Because she finds herself trying to survive long enough to get back to the stones, she has to lie, but she never seems quite comfortable doing so.  She seems to find it even more difficult to lie to herself. I’ve always admired her inability and unwillingness to fool herself.  She owns her thoughts and feelings even if she doesn’t like what she is thinking or feeling. Cait gave me the quintessential Claire moment when Jamie asked her if she enjoyed their love-making session.  Right away her face showed her internal conflict. Jamie, not having any clue about Frank, of course misinterprets the change on her face to mean she did not enjoy herself.  However, in true to form Claire fashion, Cait let us see her confusion, her correct interpretation of Jamie’s disappointment and sadness, and the moment she admits the truth to herself.   “Well, there it was. Not only was I a bigamist and adulterer, but I’d enjoyed it”. Quintessential Claire. outlander107a QUINTESSENTIAL JAMIE: Jamie is being portrayed as a man with some emotional intelligence. His sensitivity and concern  for Claire comes through loud and clear. The audience can see, through Sam’s performance, that this man is different from the other men at the castle.  But, for me the moments that are quintessential Jamie are once again more subtle. I so enjoy his moments of humor and self-deprecation and the little peeks at the man beneath the boy. There are actually several scenes that found me saying, “Yes! He gets Jamie!”  When Claire is tending his shoulder at the castle and Jamie has just told her a horrible story about his sister and  Black Jack, he responds to her sympathy with the, “Aye chickens are verra poor company” line. Jamie’s ability to not take difficult circumstances too seriously is one of his saving graces.  He has every reason to feel sorry for himself, to feel bitter and yet, he chooses to give not one more moment to Black Jack. Cheerfully taking a beating, forcing Dougal to give him a wedding, comparing Claire’s hair to water in a bern, were all convincing performance moments. But, the one that caught my attention was the scene in the stable with Murtaugh. With a few sentences and body language, Sam was able to convey the man of integrity that is Jamie Fraser. ” I plan to be married, but the one time and I will do so in a way that will make my mother proud”. Quintessential Jamie. He is guided by a moral compass. 571-300x187 QUINTESSENTIAL JAMIE AND CLAIRE: There are a lot of scenes between the two that are heart-warming, sexy and flirtatious.  The scene in the surgery where she is checking his shoulder? There was enough chemistry to blow up the castle! The wedding was superbly well done. I sighed and giggled and sighed some more watching those two consummate their vows.  But, once again my Jamie and Claire quintessential moment was more subtle. The infamous “Help! he’s falling over!” scene. LOL!  I remember watching it and thinking THERE, right there is where he fell in love! She is threatening, cursing, caring, kind and demanding and he… is awestruck. Which of course he covers up with a Jamie quip,”Threats is it? And after I shared my drink with you too!”  I was so struck by this I wrote a poem!   ALIEN ANGEL He awoke to a vision A bristling, cursing, demanding angel He awoke to love s01e01_869   IN CONCLUSION: I know not everyone will agree with me and I wouldn’t expect you to! Everyone brings their own experience to a reading or film and therefore no one will have the exact same reaction or interpretation.  Everyone will see things differently and have their own quintessential moments. Which when I think about that reality, I find myself in awe of Mr. Moore, his writers and directors. Getting it right seems almost impossible!  But, overall, I think they delivered the spirit of my beloved story.  And Cait and Sam? Thanks for delivering on the promise of being THE Jamie and Claire!

Choices…..Jamie and Claire…Outlander returns April 4th.

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Claire-and-Jamie-Fraser-claire-and-jamie-fraser-37427982-681-1024Okay… just saw the trailer looking ahead  for the second half of the season. Lots of exciting stuff coming up! The word “CHOICE” is what I’m left with after considering what they’ve shown us. The choices Jamie makes. The choices Claire makes. Monumental. Pivotal. Heart and gut wrenching. Diana says she reveals who her characters really are by putting them under pressure. We learn a lot about Jamie and Claire through the pressure they are under in the second half of season 1 and that knowledge will color everything we know about them from now until the end of all of the series to come. (may there be many)

Jamie’s choice:

Jamie chooses to rescue Claire. Even though it means going back to a place full of devastating emotional significance, at the possible cost of his own life.  There is never any doubt in his mind that Black Jack will kill him if he’s caught and there is never any doubt that he will go after Claire despite this knowledge, even though he believes she left him on purpose and that she may indeed be an English spy. We finally begin to see what kind of stuff this man is made of.

Jamie chooses to let Claire go. What this choice reveals about him is nothing short of staggering. This is a man of integrity. Everything he feels tells him to beg her to stay, but he chooses to let her go…why?

He now knows the truth and it cannot be ignored. There is a man…a husband … with a prior claim. Claire is the wife of another man and as a man of that honors these vows spoken between two people, he must acknowledge Frank’s claim on Claire. She isn’t his wife because she is still wed to another.
He must acknowledge that Claire doesn’t belong here. Her being here and with him is an unfortunate accident. She had no choice. She did what she needed to do to survive. And, after the witch trail , he knows she is a women out of her time and it will place her in danger again. She will be safer if she goes.  He knows she has tried to get back to her husband and life over and over again. He will not add himself and his need of her to keep her in a life that was not of her choosing.

I know I cried at every agonizing staggering step he took down that hill; my heart was breaking with his.

Claire’s choice:

She finally knows where she is and it’s near the standing stones.  She can finally attempt to go back home.  She makes the choice to leave the 18th century and…Jamie.  She knows he will be hurt, but believes after a time he will move on.  She feels guilty and I think even then an inkling that she feels more than sad to leave him.

Then comes Fort William and her daring rescue from the clutches of Black Jack Randall. The time that follows is filled with conflict between Jamie and Claire. These conflicts give rise to confusion for Claire.  What does she really feel for Jamie?  I’ve heard Caitrionia Balfe say that, “Claire has to get honest with herself and Jamie.” I was glad to hear that. Otherwise, the scene at the standing stones later would not have the emotional impact needed for the audience to believe her choice was tearing her apart.

And that choice. I was really truly worried about her decision. I’m hoping the viewers of Outlander on Starz will feel the same anxiety.

Once the big choice is made:

There are still many choices left after Craig Na Dun. I can remember thinking, when I first read, that their getting on the horse to go to Lallybroch seemed like a logical place to end the book. And, it would have been if Diana had only been writing a romance. But, in a very real way the choice at the stones was the beginning not the end.  Because,… Ms. Gabaldon was writing a love story.  Thank God!

From the moment Claire walks away from the stones and her feet pick up speed down the hill to the abandoned cottage, we start to see the results of her choice.  We are then treated to the beginning of a story about a passionately committed couple and their life together. That life continues to be full of struggles and choices; can anyone say Wentworth? But, there is never any doubt that they are together because they want to be…need to be.

Claire can’t “bloody well” live without the man and neither can we.

Bring on April 4th!