A Review in Three Acts: Outlander 3:06 “A. Malcolm”

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Exposition

Prior to the Print Shop episode “A. Malcolm”, Outlander executive producer/writer Matthew B. Roberts, commented on Twitter that he just might go into hiding after the episode aired.

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At the time, I laughed because I understood where he was coming from.  The Print Shop sits on hallowed ground inside the book fan’s hearts.  I laughed at his tweet, but a part of me shivered.  I’ve seen the cast, producers, directors, designers, and the writers eviscerated by fans on Social Media. I was actually concerned for him! And, I wondered, if in part, his decision to take on writing the Print Shop scenes was based on taking one for the team! On the other hand, he got to write the Print Shop.  What a wonderful challenge.  I’ve enjoyed Matt’s adaptations in the past and I know that he “gets” how important this story and its characters are to the fans.  I trust him.  However, as much I trust him, it is difficult for us book fans to objectively watch the show. There is no way to undo what you already know.  There is no way you can completely eliminate how you related to the material or circumvent what you placed importance on. We each read the words on the pages of Diana Gabaldon’s Voyager, but how we each interpreted them is as varied as we are. I have my own personal version of the print shop, as does every other book fan.

Through the last two seasons, I have come to understand and accept what it means to adapt a book for the screen. Fortunately, for me, I have enough life experience and a mind open enough to recognize when my expectations are unreasonable or just plain unrealistic. After reflection, I usually understand that it is impossible for another person to be able to tell this story putting emphasis on just those things I find important because for them it is a slightly or vastly different story than mine.  Impossible, a part of me knows it is impossible, yet every week I tune in to see how well “they” told “my” story.  I watch with an eye looking for my favorite scenes and an ear waiting to hear the next line of my favorite dialogue. This week was no exception. I know this is a tough concept, but “They” aren’t rewriting Diana’s books, they are telling a visual episodic story based on her books. That is reality. It might be reality, but Matt understands that the reality that he is writing an adaptation won’t mean shite to some fans this week.  They will want to see their version of the print shop on that screen.

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Imagine my surprise when after viewing “A. Malcolm” for the first time, I was the fan looking for matches and straw.

This week it was difficult for me to deal with reality and let go of the strong expectations I had placed on this adaptation. The material in this episode was just too close to my heart and it felt personal. It took me several viewings to see what story I was actually being shown. So, this is the story of my watching episode 3.06 written mostly in real-time from my immediate reactions… if I sound bit beside myself…I was…DON’T JUDGE ME UNTIL THE END…pretty please with sugar on top?

Act I: With Bated Breath

I’m trying to get a grip because after watching A. MALCOLM, Outlander’s Print Shop scene for the first time, I’m in shock and not in a good way.  I have never been so disappointed in an episode in the entire time I have been watching the series. Where is the power, the need?  I’m struggling to understand why the focus went where it went especially when it should have been so clear!!!

Focus for the reunion

  1. A couple who have longed for each other for over 20 years are reunited.
  2. A couple are overcome with emotion, as they would be when someone is “RESURRECTED” from the dead!
  3. A couple spends time in awe, touching and staring at each other as they would because someone they love has been “RESURRECTED” from the dead!
  4. Overcome by seeing his daughter for whom all is sacrificed and having the lost love of your life “RESURRECTED” from the dead and sitting beside you, results in an emotional catharsis that only a great love and a great sacrifice could engender!

Instead…

  1. tender exchange with a madam
  2. Geordie
  3. eyeglasses
  4. business as usual
  5. background boobs
  6. lesser dialogue
  7. just less…

I have defended this show and these writers because I could always see a rationale for what and why they did what they did and if I didn’t understand, I was patient because I knew they had a long-range vision for the story and I would know the reason eventually.  But THIS moment will never come again and there isn’t enough time to rectify it because “that amount of time doesn’t exist”.

ACT II: Taking Off the Book Goggles

It has taken me hours to calm down.  I was nothing short of angry, disillusioned, and sad. I gave myself a little time to reflect and realized that I have felt this way before, maybe not to this degree, but I had felt this before. I forgot to take off my book goggles. So, I’m going in again and going to try to look at what is actually on the screen and not pay attention to the scenes in my head.

Easier said than done.

Alright, so the emotional staring, touching, and shaking was there. Just not in the amount that I expected.  I yearned for that “slobber knocker” scene where they cried and shook in each others arms with “longing of twenty years” streaming down their faces.  What I got was way too short and left me feeling as dissatisfied as finding out there would be no J and C carved into their flesh, a fight in the abbey with Jamie’s demons or my patiently waiting for that final night that was meant to tide them over for a lifetime and finding it had been turned into a quickie.  And, I still can’t even find the words to express my disappointment over the scene with Bree’s pictures. In my mind and heart, it is the most poignant scene in the entire book if not the series. He has just seen Bree…Claire is there….there is closure…his sacrifice wasn’t in vain…so, his reaction is to tell Claire he has another kid? …sigh…WTH?

Claire bothers me. Has her time with Frank beaten her down this much?  Has all her self-confidence been eroded?  I don’t recognize this mouse. What the hell is THIS Claire feeling?  I want the Claire who puts her chin up and goes after what she wants. Feeling scared and a bit insecure is one thing, but if she was that frightened and sure he had made a life without her, why did she make the decision to go? I want to see that she has “…the devil’s own courage.”

Okay, I felt the scene in the brothel was very well done. Walking through that parlor, hearing the noises through the walls increased the anxiety and doubts for both of them. They have had no time to really talk and it was a great way to show us Claire is worried that Jamie is too different and Jamie worried he is too changed. I felt a lot of key dialogue was kept here and like the idea that they spent time talking over dinner, filling in details about their lives apart and seducing each other with hands that break bread and mouthes that burst grapes. It was condensed and I realize that was needed, but I’m still grieving over the lost scenes in the print shop. Because, without them this beautiful sex scene just doesn’t have the same depth of meaning. Those folks who have been waiting for sex between these two will be satisfied, but I wanted no doubt left that these two have burned with a need for each other that went beyond lust. This sex should be the final piece in the puzzle that brings them all the way home to each other.

ACT III: When Living in the Boonies is a Boon

And, sometimes the universe intervenes.  I watched it a third time on my computer. My internet is so slow that it was buffering about every 30 seconds. It forced me to slow down and really look. What I saw in between the buffers was mesmerizing.

I teared up.

How could I have missed so much?  Was I so invested in MY story that I couldn’t see THE story being told?  I was transferring my expectations onto this episode and missed all the nuance. The power and need I longed for was there, but made all the more powerful for the carefully tender way it was presented. I thought there wasn’t any chemistry between these two actors? What a laugh. I’m not sure my husband of 41+ years and I are more in tune with each other than these two. I couldn’t have been more wrong about this episode, so let me revisit my first points again…

Focus for the reunion

  1. A couple who have longed for each other for over 20 years are reunited. 
  2. A couple are overcome with emotion, as they would be when someone is resurrected from the dead. What I saw this time was the wonder. Claire reaching out to touch him, but stopping herself, but then having to reassure herself that he is there in the flesh. The catch in her voice when she tells him she thought he was dead. Jamie staring and whispering her name reaching out for her. 
  3. A couple spends time in awe, touching and staring at each other as they would because someone they love has been resurrected from the dead.  Jamie’s words about seeing her smiling with her hair curling about her face were some of the most heartbreakingly intimate lines I’ve ever seen delivered. “But, you never touched me”, and she says, “I can touch you now”.  It seems as if the world should stop, but it still turns, life goes on despite what has just happened. Instead of angels tears, we got spilled ale and wet pants and a gentle bit of comic relief that reminds us that this whole situation is bizarre.  Jamie forgot she was still his wife until Claire poses the question with her heart and her hope in her eyes. They have been apart a lifetime. We see the conflicting emotions on his face and the audience knows something is wrong. We see Claire follow him to the back room and look around at his world, the life he has made without her and we feel her fear that she will see something that will dash all her hopes. She walks as if she is unsure of her footing, doesn’t know what to do with her hands or what to do next, but her smiles say it all.  She cannot hold them back, but they are tremulous. Their eyes are quick to tears and their voices thick with all their suppressed emotion. They are strangers with familiar faces. A beloved memory become flesh. 
  4. Overcome by seeing his daughter for whom all is sacrificed and having the lost love of your life resurrected from the dead and sitting beside you, results in an emotional catharsis that only a great love and a great sacrifice could engender.  He tries to hold it together, but is overwhelmed, closes his eyes and asks for her name.  When he hears it, he takes in a breath as if he is breathing her to life. She has a name. He has a child named Brianna. We see a tender moment when he remembers their first-born Faith and we know he has never forgotten. Claire is moved by their shared grief and we recognize with her the depth with which this man loves. I still miss him slowly falling apart in her arms allowing himself to finally express the weight of all that has happened, but what I saw instead was moving. What I once saw as an odd reaction to seeing Brianna’s pictures now makes more sense. He has another child he has lost. He shares Willie with Claire. He shares, his shame, guilt, sorrow, and joy with …Claire, the only person with whom he can share such a thing because she is his home, his sanctuary, the only place where he need not “guard his words or hide his feelings”. Claire will love Willie because he is Jamie’s. We start to see the unconditional love and trust that still exists between them. Moment by moment, word by word, we see them draw closer. 

What we got instead was the best thing I never knew I needed…

  1. We got to see a tender dance between two people trying to find each other again that felt believable.
  2. We got to see that despite his “unsavory” occupation and living in a “kittle hoosie”, Jamie has maintained his values and beliefs; he is concerned she left Frank to be with him and even though it hurts he wants to know if she was loved, shocked she would think him a customer of the Madam, guilty over Geneva, continues to take care of his responsibilities even when Claire is suddenly there because people depend on him, and he still fights for justice, this time with words. He is still the man she loved at his core.
  3. We saw a woman on the edge of no return. She really was afraid because she really had risked it all. She had no plan B. She was vulnerable, anxiously looking for proof, for evidence that she wasn’t wrong and …found it.  “What was once true is true again”. It has always been forever for him. He has loved no one but her.
  4. We saw two starving people make love and revel in the miracle of what it was between them that they could not name, but was still there. As predicted, Jamie “breaks through” the layers of deprivation and defense and then they delight in each other, slowly exploring and letting their bodies express what it means to each to be together again.
  5. We got to believe in love.

Denouement: Where the Author Ties It All Together

The show cannot win, it is literally impossible for them to please everyone. And, so they only have one choice, to do what they think best tells the story and hope that it plays well on the screen. If my personal investment in and reaction to this episode is any indication, “A. Malcolm” might generate some feelings and maybe Matthew B. Roberts, was right to believe he needs to go into hiding! Not because he didn’t do a good job, but because of the books in our heads. He might have wanted to show my “slobber knocker” and “gently fell to pieces” moments, but for whatever reason it didn’t work or maybe they just decided to go a different way.  Either way, I had to let go and just watch what story I was being told not the one I thought I should be told. At this point, it is hard for me to believe I could have ever been upset. It is a beautiful story, beautifully told. I tried to think of an image that would encapsulate this episode and what came to mind was Jamie and Claire, as a red rose bud with petals tightly layered, a thing of potential beauty.  Moment by moment, word by word, touch by touch, their souls are nourished and in the end…they bloom. The episode addressed important emotional beats and once again walked that fine line between honoring the source material and staying true to themselves and the story they are telling. Our beloved books will always be there and we can visit our print shops anytime we want, but I’m hoping that other fans who forgot to take off their book goggles like me will have the faith to take them off and watch this print shop twice or thrice. It is everything the Print Shop was meant to be and more.

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P.S. I know I haven’t said much, other’s have and done much better than I could have, but how wonderful were the costumes and sets?! They continue to add so much to my understanding of these characters and this story. The neckcloth is bringing sexy back! And, the thought Terry put into Claire making her own outfit!  I’m so grateful for what she shares with fans. The research Jon Gary must have done to give us the print shop! It all feels so real and has to impact these performances! What a quality production, so detailed and lovingly created.  And, the new characters?! I’m pretty sure Geordie is every sarcastic passive aggressive person I’ve ever worked with! LOL!  Young Ian and Fergus…how perfectly perfect they are …sigh…makes me excited for the future.

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You are a braw lad…Outlander 3.4 “Of Things Lost”

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I’m finding myself grateful this morning that I am not writing these reflections for anyone, but myself.  I’m grateful I don’t find myself in the position of having an editor tell me to write about Sam Heughan’s top hottest looks or sexiest moments to sell a magazine. Instead, I find myself this morning ready to write about the story I was told last night, a bittersweet tale told in moments, metaphors, and performances that suspended my disbelief and touched my heart because …I want to and need to.  “Of Things Lost” was an amazing installment in this epic story of two people who strive to make the best of their lives with what they have been given.

As I predicted, we are seeing our main characters, Jamie and Claire, move on.  It has taken them a long while to reach this point.  They are no longer spending their lives chasing ghosts. They are living in their own present.  For Claire, it was the missing manifests that brought her back down to Earth.  “This is what Mrs. Graham warned me about”, Claire tells Bree.  Our Claire is a realist, pragmatic, and strong.  She recognizes the futility of what they are attempting and I suspect the prospect of the pain of looking and not finding him would just be too much for her.  When she tells Bree it is time to go home, I felt a lump in my throat because Jamie is no longer that home. Her home is now the life she has been given and created with patients who need her and a daughter who once again calls her mama.

For Jamie, I suspect his “missing manifests” moment came on the selkie island.  He somehow came to understand that Claire is truly gone.  When John doesn’t kill him, he leaves Jamie no choice, but to begin to live his life in the present and in the knowledge that he will never see her again.  We see him begin to talk about his memories of her and for the first time, say her name out loud.  He is putting her in his past and taking a hold of the future John Grey has offered him. Jamie is done chasing Claire’s ghost.

They are living lives with less than they wanted, but with more than they had. Their losses have become intricately woven into the fabric of who they are and how they experience life.  Just like they are for all of us who have lost those we care for.  We carry our memories with us and they color our new experiences.  Our couple are never far from each other’s thoughts, but it is different now.  I was moved by the sadness these two live with, the knowledge that they have lost a great and one time love.

A Cage is a Cage

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Most of this episode dealt with Jamie’s life at Helwater where we see him slowly begin to come back to being himself or, at at least, the self he is now become.  The Lady Isobel comes to see the beautiful horses and laments the fact that her father keeps them confined. Jamie assures her that he has seen many stables and these are the finest. She then reminds us that a gilded cage is still a cage.  Jamie may be moving about unshackled in fresh air, but someone else still holds power over his life and freedom. It is a fine place, but he is still a prisoner.

The Lady Geneva is about to find herself in a gilded cage.  She is to be married to a rich and titled man old enough to be her grandfather.  She has had her life’s path dictated to her at the ripe old age of seventeen. These types of marriages amongst the nobility were the norm rather than the exception and I would suspect that Geneva wasn’t the first young lady to try to take back some say in her own life’s experience. I wouldn’t want my maidenhead given to an old goat like Elsemere either.  Jamie just has the misfortune to be vulnerable to her attempt at blackmail.  He has to believe if she is reckless enough to demand this of him, she is reckless enough to go through with her threats.

I loved how the show handled Geneva. This scene was problematic for many reasons and I felt the choice to leave Geneva sure of her decision served the story and characters well.  There wasn’t really anything to be gained by sticking to the book in this instance. I felt that they truly got to the underlying emotions of this scene.  I thought the choices Jamie makes with Geneva were totally in character with who Jamie is.  He is at heart a kind and compassionate man.  When Geneva tells him she is doing this for herself it changes everything for him.  He understands.  She is in her own way imprisoned.  Her choices are not her own.  He sets about this transaction with some pity for her and being who he is tries to make her first time as good an experience as he can.  He is not in her room by choice and would not have chosen it, but it is inevitable and he has to make a choice to stay angry or choose compassion.  He chooses to be compassionate despite her taking unfair advantage of him. He is the one with the merciful heart.

In a way, he takes back some of his own power in this situation by choosing to be kind.  In the book, Jamie describes being aware of an extraordinary mixture of feelings when faced with Geneva in her bridal night rail.  I felt that here.  There was anger, tenderness, lust, fear and as always Claire was never far from his thoughts. When Geneva tells him she loves him, Jamie slowly shakes his head. The moment he explains the difference between sex and love to Geneva was a watershed moment. It was sad and, yet wonderful and called us back to his asking Claire if it was always so between a man and a woman, what he feels when he lies with her. No, was her answer, it is something like it, but no.  What he had with Claire was different because it was love.  Is it truly better to have loved someone with all your heart and soul and lost them than never to have loved at all? Despite all the pain, I think Jamie would say,… yes.

The Fly in the Ointment

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The fly in the ointment of this episode for me wasn’t Geneva, it was John.  My reaction to the scenes with John and Jamie were for the most part okay… there were some changes, slightly different, but okay.  I found myself feeling puzzled by this easy camaraderie.  I’m sure the “all these months comment” was meant to speak to the passage of time that has allowed Jamie to reflect on Lord John and his kindnesses. I needed to see Jamie and John in that awkward exchange where he blurts out a chess move in an effort to let John know he had been forgiven.  I know, I know, the book is the book, the show is the show and I can understand their need to move this relationship ahead and I liked Hal being the catalyst for Geneva’s blackmail scheme, but… my acceptance and resignation that it was a good representation of Jamie and John’s relationship came to a screeching halt when Jamie offered his body to Lord John before Lord John told him of his impending marriage.  NO.  It would have never happened that way.

The whole offer was meant as a test of John’s sincerity and motives.  In the book, Jamie meant to slit his throat had he accepted the offer.  IF what they were going for was that Jamie was willing to make any sacrifice to keep his son safe, it fell very flat for me.  More than flat.  I just didn’t get this change or how it advanced the story arc. They already had set us up to believe that Jamie trusted Lord John with the conspiratorial looks between the two and Jamie’s comments about Lord John looking out for his welfare, and his belief that he would keep his secret.  All they had to do to make this okay for me would have been to have Jamie offer after Lord John told him he was marrying.

The extra hand hold was a nice callback to that moment in Ardsmuir and the rest of their exchange was touching and very revealing of John’s character. I found myself grateful right beside Jamie for having a man like John as a friend and for him being in Willie’s life. So, instead of letting this fester, I’m just going to take a note from Lord John’s book and not be insulted because I know the depth of feeling from which the offer ( and scene) was made.

You are a braw lad

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I would be remiss if I didn’t do more to acknowledge Sam Heughan’s performance.  His ability to emote is nothing short of staggering. I have been so impressed and moved.  He has completely inhabited this character.  He makes me believe that he is truly feeling what Jamie feels.  Sometimes he is subtle (when he sees Geneva’s pregnant belly and he gives a slight shift in his attentive stance beside the carriage) and sometimes not (when he looks at the baby in the carriage and suddenly changes his mind about leaving Helwater), but I love that he can take me inside Jamie’s heart and mind.  I certainly hope those with the power to give him awards are paying attention because he deserves all the accolades he can be given.

One of my favorite pictures of my husband is him standing in front of the nursery room window at the hospital.  He has both arms raised and braced on the window frame as he stares intently at our daughter in her bassinet.  He was in awe.  It is a wonder to recognize a miniature replication of your own features and expressions on a brand new small face, to know that this little person is part of you.  When Jamie looked at his son, I knew what he was feeling.  I saw the wonder on his face.

To his delight he finds out the child has been named William and they are calling him Willie, the same name as Jamie’s beloved older brother.  The moment that followed was beautiful.  He glances furtively into the buggy and then addresses his child.  You are a “braw lad”  Jamie tell his son.  The last words his own father said to him.  He then tells him not to fash that he is there. And, we know he will be.  This wonderful man has been denied fatherhood too many times.  He becomes a role model to his son despite the difference in their stations.  He cares for, spends time with and teaches William.  In a very real way, Jamie is a “father-figure” to little Willie.  In my opinion, Jamie was as a good of a father to William as he could possibly be.  Jamie made a decision that resulted in the enrichment of both of their lives.  You can feel Jamie’s pride and delight in his son and then his fear…  This season of what must have been some of the happiest days of Jamie’s life must come to an end because it has become dangerous for them to be seen together.  As Lord John states, “some sires stamp their get”.  Willie looks too much like Jamie and people are starting to notice and when Jamie calls Willie a little bastard, you get the feeling that he has heard it before.  There has been talk.  William’s resemblance to Jamie places them all in danger.

I know that it is difficult for us to understand why Jamie just doesn’t tell people he is Willie’s father. It’s a different time.  His son is an Earl and as a result has all the advantages that come with his station. Do you take that away from him?  Do you label him a bastard? Do you cause the Dunsanys to be shamed.  They have lost two children, does he now take away their grandson? No.  The whole situation is complicated and heart-wrenching. With the assurance that Lord John Grey will make an appropriate and caring step-father, Jamie makes the sacrifice to leave his son.

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The moment the show gave us of Jamie in the stable with his son was a gift, Willie wants to be like Mac, Jamie being able to baptize his son and give him his name, Jamie giving Willie a snake like the one his brother had given to him, and sharing how he prays for those he cares for and has lost.  I’m sure he will soon be lighting a candle to St. Andrew for a  little boy named Willie who he will remember… always.

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Easter egg:  Did anyone else recognize the entertainer in the pub’s as the “Sassenach” entertainer in the gypsy camp?  Nice touch on the costume Terry!

 

They really will need couple’s therapy…A look ahead to Outlander’s “Of Things Lost”

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I opened my Twitter feed the other day and saw someone had wished a fellow fan a happy birthday with one of those Outlander memes featuring Jamie.  I smiled because it was impossible not to!  The meme was of Jamie smiling shyly at Claire when she brought him lunch at the stable.  His megawatt boyish charm is blinding! I thought to myself, “well, there was a simpler time”.  Then I chuckled because I’m not sure Jamie has ever had a “simpler” time. He and Job seem to be brothers from another mother.  Yes, he was an outlaw and yes, he has had the skin flayed off his back, but he still seemed so young, fresh, unaltered by what had happened to him.

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I found myself still thinking about that meme today.  I found myself thinking about the evolution of these characters and how necessary, however heartbreaking, it was for us to see the time between the stones and the reunion.  Once again, I find myself having my understanding of the story deepened by seeing it told on a screen.

They are not the same people who said goodbye at those stones.

This man

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has become

 

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this man

This scene in “All Debts Paid” was for me the culmination of all that has gone before. This is a man sick at heart.  Much of what was happening here was related to Black Jack’s abuse and I’m sure Jamie is deeply resentful that he has been made to feel those feelings, but there was more.

I read a comment by Sam Heughan that there was sadness there in that moment.  I definitely felt that.  We saw Jamie smiling over a remembered taste, playing chess by a warm fire, enjoying camaraderie with another man. Basically, we see him participating in something that smacks of normalcy, able if only a short while to be no one, but himself.  We see him trusting. When Lord John asked about his wife you can see Jamie struggle with the decision to talk about her and then he consciously lay aside his glass and spoke her name…

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and then…it is all taken away with a touch.  He can have nothing.  Even this small moment is taken from him.

Despite all that happens to him, Jamie manages to survive and retain his core beliefs and values.  I know it is flippant and hurtful to suggest that what doesn’t kill you makes you stronger.  It is one of the ways we continue to re victimize the abused to suggest that suffering trauma is somehow character building.  But, Jamie does go on and overcomes and in some ways, becomes a better man because of his experiences.  Unfortunately, Jamie probably knows more about himself than most of us ever will.  On the other side of his life experiences, Jamie emerges a sadder, but wiser man.  He is different.  He doesn’t expect to find his life filled with happiness and is resigned to that reality.  But, he is also no longer afraid for himself and that gives him the freedom to speak power to truth.  “There isn’t anything you can do to me that hasn’t already been done”, Jamie tells John Grey.   I don’t think he has been afraid of anything for a very long time.  His personal losses have been too great.  Oh, he still cares about those around him, but those things that were his and his alone, “Lord that she might be safe, she and the child”…are gone.  We are about to witness the beginnings of Jamie finding his new normal, a life less than he wants, but more than he had.

The same can be said of Claire.  Her years of living a life she no longer wanted, trying and failing at her marriage, becoming a doctor, the guilt she feels about Frank, never being able to openly grieve, keeping secrets, knowing she will never again love and be loved the way she was with Jamie has taken its toll.  You can see her struggle to navigate living and interacting in a life she feels a stranger in.  She throws herself into service to others, but her heart and mind are never fully there.  A part of who she is has been cut off, deliberately.  Unlike Jamie, she does have something to live for and love, but even that relationship is strained because there is always a part of herself that she can never share.

This woman

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has become

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this woman

 

The next part of the “Voyage” back to love

Another chapter in their journey of learning to live without their hearts has come to an end.  Claire is now no longer trapped inside a marriage of convenience and Jamie is no longer behind the walls of a prison.  The next episode of Outlander, “Of Things Lost”, will give us a glimpse into the next chapter in this voyage, we will see how each learns to say goodbye and accept their new reality.  And, finally, move on to create a new life resigned to their loss. I suspect we will see each continue to think of and long for each other, but I also suspect we will see this longing change to a tempered melancholy.

Luckily for us all, a reunion of these two lost souls will happen and not a moment too soon!  I don’t think I could take much more! We will see Claire struggle even with the choice to look for Jamie, and risk getting hurt again. And, the choice to leave Bree for what she has to believe is forever?  Unfathomable.  Jamie, on the other hand, has NO idea what is about to walk through that print shop door.  The reunion will be amazing.  Our couple has longed for each other for over twenty years.  A dream is about to come true.  What once was lost has been found.  That moment when they see each other and know it to be true will be so emotional that I’m pretty sure I will sob.  I’m too invested in these characters not to.  The show and the actors have done an excellent job of letting us see how empty and lonely Jamie and Claire are without each other.  But,… the shock will fade and they will perforce begin to forge a new life together…with the people they are now.  Twenty will change a person and I’m sure they will have some struggles in getting back to the people they were when they were together and I’m thinking that will be bittersweet to watch unfold.  That they will fight for each other and fight with each other, I have no doubt.  They are soul mates, their other’s half, meant to be.  But, I’m thinking Josh Horowitz might be right, they probably really will need couples therapy!  Go ahead and click on the picture…you know you want to!

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Hang on guys it’ll be worth it in the end!

 

 

Spoilers for sure! Lord John… only because he was not born the right person…

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Season three of Outlander on Starz will introduce some of the book series most popular and beloved characters. Fans are excited to see John Bell play Jamie’s nephew Young Ian and Australian actor David Berry will be filling Lord John Grey’s fashionable shoes! I have to wonder if David had any real idea that he was about to play a character who was so interesting he inspired Diana Gabaldon to write a spin-off series of books .

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Because Diana is all about tweaking expectations, Lord John’s character is a unique individual who challenges our notions of what it means to be a man.  Diana has always described LJG as small and hard bodied with delicate features that include lips and eyelashes that would make any woman jealous.  I can see David Berry’s features fitting the bill, but I don’t believe he is as physically small as the character is described in the books. However, if I’ve learned anything from watching the show for the last two years, it’s that physically fitting the part isn’t as important as embodying the spirit of a character. Caitriona Balfe certainly didn’t fit the exact description of Claire in the book, but it is now tough for me to picture the Claire I had in my head because Cait has done such a great job of portraying the important parts of Claire’s personality.

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The scene at the trial where she won’t bear false witness and her coming to terms with the loss of Faith come to mind. Both moments represented things I much admired in Claire; her integrity, her ability to be pragmatic, and her honesty and they were portrayed to perfection.  Sam, Tobias, Grant, Graham, and many of the other actors were not exactly like the characters I had pictured in my head, but it hardly seems to matter now because for me the show has earned a separate, but interrelated identity.  I will still always have the books and that Jamie, Claire, and BJR and now, I also have the Jamie, Claire and BJR of the show.  As one of my readers put it, “I have a double helping of Outlander”.  I have found myself looking forward to seeing how things will be the same and different and whether I will like it or not.  Mostly, I’ve liked it and learned to appreciate the storytelling and the acting.

In some ways, I am sorry that they will not be able to use size as a part of John’s story. Diana used his smaller stature to bust stereotypes. He is small, but authoritative, beautiful, yet masculine, and the aggressor in most of his relationships.  He understands duty and while unashamed of his sexual preference, he is aware that if he is “found out” it would ruin the lives of those he loves and protects.  Please remember that it wasn’t that long ago that homosexuality was considered a disease.  Coming out in any time period isn’t an easy thing to do, let alone the 1700’s. Diana shows us how one gay man lived as honestly as he could while unable to show the world who is really was, heartbreaking and inspiring.

 

Slightly Different Reflections of the Same Truth

 

I loved this response of Diana’s to a reader on Twitter who expressed concern over changes from the book to the TV series.

image As Diana so eloquently stated, the show and books reflect the same truths. Storytelling is a lens through which we see it.  It’s something Diana does well. One of the reasons her novels have to come to mean so much to me is the truths I find revealed between those pages. The show is telling their version of her story of truths. They are telling us a story about what it means to be human, to persevere, make difficult choices and having to live with the consequences, to suffer loss, and to love…in all of it’s different shades of being.

So, I’ve been thinking of Lord John Grey and what truths the show and David Berry will get a chance to show us.

The Truths

Truth #1: Character has nothing to do with sexual orientation

Tom and Lorenzo, TV critics once wrote about Outlander and their feelings about the character Black Jack Randall.

…In other news, Black Jack Randall is clearly not entirely heterosexual. His face practically lit up at the sight of Jamie coming through his window and within seconds he asked him to a) take off his shirt, b)take turns raping his wife, and c) enjoy himself by watching Jack rape his wife. It’s all very sexually charged, and we suppose we can get offended by the idea of the evil raping gay character, but we’re willing to let this play out for a while. Jack is definitely in danger of becoming an unstoppable Terminator-like supervillain, though. We wouldn’t mind seeing a bit of a scaling back on the mustache-twirling.   http://tomandlorenzo.com/2015/04/outlander-the-reckoning/

Diana has gone on record saying that Black Jack is not gay.  She calls him an equal-opportunity sadist.  But, I know a lot of viewers like Tom and Lorenzo believe that he is gay.  I wrote an article about Tom and Lorenzo’s review and I remember saying I wanted to write to tell them one of the most beloved characters in the series was a gay man. I knew that the information based on my knowledge of the books wouldn’t really be appreciated or help them review the show as presented, but I so wanted to defend Ms. Gabaldon’s representation of gay men. Diana’s characters are so layered and well developed, I have often said that it is possible to talk about and analyze them as if they were real people. John Grey’s story is a compelling look at what life might have been like for a homosexual in the 1700’s when it was illegal to be gay.

In Lord John, Diana has created a man who rivals Jamie in integrity and that is saying quite a lot.  And, …he is as different from BJR as you could get!  Viewer’s of Outlander on Starz met Lord John Grey as a sixteen year old who snuck into the Jacobite’s camp and tried to slit the notorious highlander “Red Jamie’s” throat.  He was prepared to die rather than give information, but relented when he thought a woman’s (Clever Claire) honor was in jeopardy.  Jamie spared the young Lord’s life and so, the young soldier acknowledged the debt of honor with a promise to kill Jamie once the debt was met. Raised to believe that a man’s word is his bond and his actions a reflection of his worth, Lord John is a man that lives his life by a code of decency and honor.  

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Truth #2: Love is complicated and yet, simple

Ron Moore and company will get the chance to expand on the theme of unrequited love. I say expand because they have let us see the relationship between Frank and Claire.  I have always maintained that Frank’s biggest sin is simply that he wasn’t Jamie.  Through no fault of his own, (Claire always said that she loved him and tried hard to get back to him) Frank is unable to regain what he once had with Claire.  There is nothing he can do to regain her love.  Her heart is irrevocably Jamie’s and he isn’t Jamie.

Like Frank, Lord John Grey was simply not born the right person;

"Do you know," he said again, softly, addressing his hands, "what it is to love someone, and never- never!-be able to give them peace, or joy, or happiness."

He looked up then, eyes filled with pain. "To know that you cannot give them happiness, not through any fault of yours or theirs, but only because you were not born the right person for them?"

Lord John in Voyager, Chapter 59

Lord John has had the misfortune to fall in love with a man who can never return his feelings.  Jamie has very real reasons for associating homosexuality with the abuse he suffered at the hands of BJR and could not, in my opinion and Claire’s and Bree’s , have a relationship with a man.  But, perhaps the greatest impediment for John is not his gender, but the fact that he just isn’t Claire.  Jamie’s heart is irrevocably Claire’s and John isn’t Claire.

Could you call a man who would never touch you- would recoil from the very thought of touching you- your lover? No. But at the same time, what would you call a man whose mind touched yours, whose prickly friendship was a gift, whose character, whose very existence, helped to define your own?

—-Lord John in Lord John and the Plague of Zombies

One of the most wonderful truths Diana’s Lord John teaches us is that love is a gift to be honored even if it is never returned in kind.  Lord John makes a conscious choice to love Jamie because to not love him would leave a hole in his soul.

"I hated him for as long as I could. But then I realized that loving him...that was part of me, and one of the best parts. It didn't matter that he couldn't love me, that had nothing to do with it. But if I could not forgive him, then I could not love him, and that part of me was gone. And I found eventually that I wanted it back."

Lord John in Drums of Autumn, Chapter 59 

One of the most character revealing conversations between the two men was over Jamie’s young son William. John had rightfully guessed William’s true parentage and came to Helwater to tell Jamie he would be marrying William’s Aunt Isobel. This will essentially make him the “orphaned” William’s step-father.  Jamie tells Claire that he tested LJG’s motives by offering him his body in exchange for John taking good care of William.  He assures her if Lord John had failed that test he would have cut his throat right there and then.

“Ye dinna want me, then?” 

Grey got to his feet, dusting the seat of his breeches. “I shall probably want you to the day I die,” he said matter-of-factly. “But tempted as I am—” He shook his head, brushing wet grass from his hands. 

“Do you really think that I would demand—or accept—any payment for such a service?” he asked. “Really, I should feel my honor most grossly insulted by that offer, save that I know the depth of feeling which prompted it.” 

“Aye, well,” Jamie muttered. “I didna mean to insult ye.”

Jamie & Lord John in Voyager, Chapter 59


Lord John passed the test and Jamie tells Claire,

"He loved me, he said. And if I couldn't give him that in return-and he kent I couldn't-then he'd not take counterfeit for true coin."

He shook himself, hard, like a dog coming out of the water.

"No. A man who would say such a thing is not one who'd bugger a child for the sake of his father's bonny blue eyes, I'll tell you that for certain, Sassenach."-Jamie & Lord John in Voyager, Chapter 59

I can remember reading that scene and wishing my high school kids could understand what Lord John understood. You truly don’t want someone who doesn’t want you.  Don’t settle.  Don’t take counterfeit for true coin.

 

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The fact that they eventually become friends speaks volumes about both men.

There was not easiness between them any longer—but there was honesty. And that was a thing he had had—ever would have—with precious few men.---Lord John in The Scottish Prisoner, Chapter 18

I can’t help but believe that Lord John’s friendship became the most important of Jamie’s life.  On some level, it is not surprising that they would become friends. Had they met under different circumstances, they would have found they had a lot in common. John and Jamie are both learned men who share a love of books and philosophy. They are both soldiers who have had the responsibility of leadership. They get each other’s sense of humor. They are both fiercely loyal and protective of those they love.  And, I think as men of integrity, that they recognize the honor in the other.  John challenged Jamie’s beliefs about love and friendship and made him a more tolerant man and Jamie gave John a purpose of sorts and someone worthy to love. 

In fact, I think Claire saw John as a real competition for Jamie’s affection. In a scene in the cabin on Fraser’s Ridge, Claire is lying in bed pretending to sleep while John and Jamie play chess across the room. In true Claire fashion, she examines her feelings of animosity towards John and admits that she feels jealous of  Lord John’s relationship with Jamie. She can see what Jamie sees in Lord John and is a bit threatened by their connection over William. Leave it to Diana to make Claire’s only real competition a gay man.  John truly does understand Jamie, as only another man can.  I love this conversation between Brianna and Lord John that proves that point:

"I have never spoken to your father regarding Geneva, Ellesmere, or William himself--save to inform him of my marriage to Isobel and to assure him that I would fulfill my responsibilities as William's guardian to the best of my ability."
She set her foot on the stone, driving it into the soft sand, and stopped.
"You never said anything to him? What did he say to you?" she demanded.
"Nothing." He returned her stare.
"Why did you marry Isobel?"
He sighed, but there was no point in evasion.
"In order to take care of William."
The thick red brows nearly touched her hairline.
"So you got married, in spite of--I mean, you turned your whole life upside down, just to take care of Jamie Fraser's illegitimate son? And neither one of you ever talked about it?"
"No," he said, baffled. "Of course not."

From A BREATH OF SNOW AND ASHES by Diana Gabaldon, chapter 116

I believe Brianna’s response was…”men”. John loves Jamie and cares about those Jamie loves because that is what you do when you love someone.

Before you say this was unfair to John’s wife Isobel, remember this was a time of arranged marriages. Why not John?  He  cared about Isobel and William.  I could think of far worse situations and men for her to be married off to.  Can you say Ellesmere? I have always felt sorry that this wonderful man never found the love he deserved, but Diana isn’t done writing his story yet and I’m hopeful for him.

So complicated and yet, to choose to love makes everything simple.

I’m sure there are many more truths to be found in Lord John Grey’s story.  These are just two that meant a lot to me and I can’t wait to see how David Berry and the show choose to reflect them.  And, I hope Tom and Lorenzo watch to see the honorable and beloved Lord John Grey.

Women Love Jamie Because He Talks In Bed…why yes,…he does and why yes,…I do

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I’ve been re-reading The Fiery Cross by Diana Gabaldon and I forgot how many of my favorite scenes were in this book!  I think I forget because the focus when people talk about The Fiery Cross is usually about the pages (and more pages) devoted to the gathering  that I jokingly (and affectionately) call the longest day ever written.  To tell the truth, it was a bit of a slough the first time I read it, but true to almost everything Diana has written, over time, I have grown to appreciate those chapters more and more.  She has become my favorite writer and as a person who fancies herself a writer, I’m always eager to read anything about Diana’s writing process or  what she thinks about her own characters.  I want a keek at her brain!  So, I was thrilled when I recently got a delightful glimpse into her thoughts about her well beloved character James Alexander Malcolm Mackenzie Fraser… who talks in bed.  

Erin Conrad, of Three If By Space, tweeted from an EW fan convention that Diana, responding to a fan question, said the reason women love Jamie is “because he talks in bed”.  I giggle-snorted when I read this and then thought, “Why yes,..yes, he does and it is definitely swoon worthy”. In fact, some of my favorite  Jamie moments are found in their bed.  

There has been a lot of discussion in the fandom about what we hope to see in season 3 of Outlander on Starz.  One of the biggest things fans hope to see is more time in bed with Jamie and Claire.  Some want to see them make love because let’s face it , Diana wrote some fantastic love scenes and as one of my readers put it, “I’m not paying Starz to use my imagination!” Yep. Another reason some fans lament the lack of sex in season 2 is that they miss the communication that happens when those two are in bed together. Sex is an integral part of how they communicate with each other, it is often how they connect when words just aren’t sufficient or there are no words. However, the things Jamie does say in bed…sigh…are funny, playful, moving, tender words that really could move a heart to love him.

I tried to think of my favorite moments and to tell the truth it just isn’t possible!  Each time I would think I’d narrowed my choice down another heart warming or pounding moment would leap to mind.  From Outlander to Written in My Heart’s Own Blood, the relationship between the two is both revealed and shaped in their bed and choosing a favorite seems impossible because each moment is a part of the whole, each moment important.

During their honeymoon, Claire muses about finding herself  the sexually experienced one in the relationship and thinks “…there are in fact only a limited number of ways in which two bodies can meet, and we had not yet established that territory of intimacy in which the act of love takes infinite variety.” Diana has always maintained that writing a good sex scene isn’t about the exchange of body fluids, but about the emotional connection.  Jamie and Claire’s sex life moves into the territory of “infinite variety”  because of what is said in their bed and each “coming together” becomes unique and important.  It is the words that are said between the two that make the physical act meaningful.  When Jamie and  Claire are in bed it is as if the world goes away and he speaks to her as we all wish our men would speak to us, open and vulnerable because they trust us to be gentle with their hearts.

JAMIE THE COMIC

IMG_0427Many of the moments in Jamie and Claire’s bed are funny; what animals have you seen, hedgehogs, and the King of Ireland come to mind.  When Claire returns to him in Voyager the importance of these moments becomes clear when Jamie tells Claire he never thought he would laugh in a woman’s bed again.  Being able to laugh together in bed is rare gift of intimacy and comfortableness.

“Aye, well,” he said. “I dinna recall Adam’s asking God to take back Eve—and look what she did to him.” He leaned forward and kissed my forehead as I laughed, then drew the blanket up over my bare shoulders. “Go to sleep, my wee rib. I shall be needin’ a helpmeet in the morning.”

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Their laughter often makes me as teary eyed as their more serious moments.  But, the serious moments are so revealing and represent the many different levels of intimacy.

EMOTIONAL JAMIE

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One of my favorite things about Jamie is his gratefulness and I’m always moved by his expressions of gratitude for what God has given him and that most certainly includes  his relationship with Claire.

 “And yet”—he turned me toward him, hand closing gently over one breast—“yet when I think of you wi’ my child at your breast….then I feel as though I’ve gone hollow as a soap bubble, and perhaps I shall burst with joy.”
He pressed me tight against his chest, and I hugged him with all my might.
“Oh, Claire, ye do break my heart wi’ loving you.”

DRAGONFLY IN AMBER Chapter 6:

VULNERABLE JAMIE

does-it-stop“Does it ever stop? The wanting you?” “Even when I’ve just left ye, I want you so much my chest feels tight and my fingers ache with wanting to touch ye again.”  OUTLANDER, Chapter 17

I loved this scene because of the awe and wonder he expresses.  To me this is the moment when he begins to understand that sex is more than the physical act.  Every woman wants to hear that a man cannot stop feeling desire for her and that he aches for her.

JAMIE IN CHARGE

master“Not yet. We’ve time. And I mean to hear ye groan like that again. And to moan and sob, even though you dinna wish to, for ye canna help it. I mean to make you sigh as though your heart would break, and scream with the wanting, and at last to cry out in my arms, and I shall know that I’ve served ye well.”       OUTLANDER, Chapter 41

This scene signaled that Jamie has come into his own as a lover and that Claire is no longer the teacher and he the pupil. He has become aware that he has the power to make her feel and he revels in it. She, I’m sure, revels in his power, as well. Take charge Jamie is hot.

HONEST JAMIE

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Jamie is a very emotionally mature man, a man who takes ownership of his perceived failings. His honesty is startling and endearing and gives Claire permission to reveal her own confusion and weaknesses.  He makes her feel emotionally safe with his openess.

“I always thought it would be a simple matter to lie wi’ a woman,” he said softly. “And yet… I want to fall on my face at your feet and worship you”-he dropped the towel, and reached out, taking me by the shoulders-“and still I want to force you to your knees before me, and hold ye there wi’ my hands tangled in your hair, and your mouth at my service… and I want both things at the same time, Sassenach.” He ran his hands up under my hair and gripped my face between them, hard. “I dinna understand myself at all, Sassenach! Or maybe I do.”  DRAGONFLY IN AMBER Chapter 17

 POSSESSIVE JAMIE

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 “All right,” he whispered. His eyes bored into mine, daring me to close them, forcing me to hold his gaze. “All right. And ye wish it, I shall punish you.” He moved his hips against me in imperious command, and I felt my legs open for him, my gates thrown wide to welcome ravishment.
“Never,” he whispered to me. “Never. Never another but me! Look at me! Tell me! Look at me, Claire!” He moved in me, strongly, and I moaned and would have turned my head, but he held my face between his hands, forcing me to meet his eyes, to see his wide, sweet mouth, twisted in pain.
“Never,” he said, more softly. “For you are mine. My wife, my heart, my soul.”

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Sometimes jealousy is okay and sexy.  Who wouldn’t want to be this man’s wife, heart, and soul?

GENTLE JAMIE

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I’ve often told my husband those moments when he is gentle are extremely meaningful to me.  When he looks tenderly into my eyes and touches my face gently with his big hands, I feel cherished.  Jamie has so many of those moments when his gentleness lets Claire know she is cherished. This scene when she wakes and finds he is watching her sleep and murmuring his love to her makes me tearful everytime.

“What is it, love?” I whispered. “Jamie, I do love you.”
“I know it,” he said quietly. “I do know it, my own. Let me tell ye in your sleep how much I love you. For there’s no so much I can be saying to ye while ye wake, but the same poor words, again and again. While ye sleep in my arms, I can say things to ye that would be daft and silly waking, and your dreams will know the truth of them. Go back to sleep, mo duinne.”
I turned my head, enough that my lips brushed the base of his throat, where his pulse beat slow beneath the small three-cornered scar. Then I laid my head upon his chest and gave my dreams up to his keeping.                                                                    OUTLANDER CHAPT 45

JAMIE A LOVE FOR ALL TIME

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Every woman wants to find a mutually passionate relationship.  She hopes to find someone she feels free to love with all her heart . Jamie’s ability to express his love for Claire is nothing short of poetic.

“I was dead, my Sassenach–and yet all that time, I loved you.”

I closed my eyes, feeling the tickle of the grass on my lips, light as the touch of sun and air.

“I loved you, too,” I whispered. “I always will.”

The grass fell away. Eyes still closed, I felt him lean toward me, and his mouth on mine, warm as sun, light as air.

“So long as my body lives, and yours–we are one flesh,” he whispered. His fingers touched me, hair and chin and neck and breast, and I breathed his breath and felt him solid under my hand. Then I lay with my head on his shoulder, the strength of him supporting me, the words deep and soft in his chest.

“And when my body shall cease, my soul will still be yours. Claire–I swear by my hope of heaven, I will not be parted from you.”

 DRUMS OF AUTUMN, chapter 16

Jamie has raised talking in bed to an art form and we readers find ourselves appreciating his talent…a lot. I know that Jamie is a fictional man and perhaps ideal, but I can’t help but believe that real men could learn a thing or two about talking in bed from him.   Diana has created a man who makes us love pillow talk and him.

Get ready for sexy old folks……a reflection on Outlander season 3

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Caitriona Balfe just celebrated her 37th birthday on October 4th.  All day long, I saw well wishes for her flash across my social media sites.  Outlander’s fans, the cast, crew, and creators were all wishing her the happiest of days and thanking her for bringing Diana Gabaldon’s character the WWII nurse, Claire Randall Fraser, to life.  Her birthday fell in close proximity to a few casting and award announcements and the unveiling of a new EW cover (the cover was tweeted one day after I wrote this http://wp.me/p4mtBT-4BP coincidence?…I think I’m clairvoyant! LOL).  All of this news had me thinking about season 3 and I’ve got ideas jotted down and several articles in creation about Fergus and Ian and Marsali.  There has been lots of inspiration for an Outlander blog! Today, however, I find myself still thinking of Caitriona’s birthday.  She is 37 on the upward slope toward forty which often is the point of no return or should I say no role for most actresses. Have you seen Amy Schumer’s skit on the subject?  https://youtu.be/XPpsI8mWKmg

I know that Cait has said that she has no interest in being a starlet and so, I’m wondering if she had any real idea how fortuitous it was she said yes to playing Claire? She has an opportunity to play a character that will not only continue to grow as a person, but she will get the chance to play a character who ages.  She is going to get to play a female character who still has an active sex life past forty.  In fact, her character still has a passionate sex life…until she’s…well, last time I checked Claire and her Jamie were grandparents who indulge their appetite for each other…often. Folks,…Outlander has the chance to once again break some ground in portraying sex on TV. Brace yourselves there is a chance we will see hot sex between two older monogamous married people who are passionately committed to each other.

First, let me say that the older I get the older still being young seems to get.  I can remember when  I thought 50 seemed the end of the line for everything including being sexy.  I recall reading a reflection Erma Bombeck wrote about turning 50. She was looking forward to being able to dress in loose pants and going to the grocery store without makeup.  She believed there would be less pressure to conform because nobody cared what you looked like when you turned fifty.  Evidently, Erma and I believed their was an expiration date on sexual attractiveness.

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I’ve been married to the same man going on 41 years.  We still hold hands and kiss…in front of people…like our children, which for some reason totally grosses them out.  We hear things like “Stop!  We get it, we get it, you still have sex , but just… STOP!”  LOL!  It’s not like we are groping each other and swallowing each other’s tongues and need to be told to get a room.  Usually, it’s just a “moment” when we feel affection or gratitude and lean in for a gentle kiss and a look into each other’s eyes.  I would think knowing your parents feel this way about each other would be a good thing, but evidently,…not so much. This leads me wonder how Outlander will portray sex between it’s two main characters who are rapidly approaching fifty.  I’m wondering if they know they have the chance to once again break the mold when it comes to how sex is portrayed on the screen, because believe or not, people over fifty do have sex lives.  One of the things that has kept me attracted to this book series is Diana Gabaldon’s decision to go beyond the falling in love stage in relationships.  She decided to write about love that lasts for fifty years.  I think that’s why some of the books that come later in the series like A Breath of Snow and Ashes are my favorites.  I read them and find myself nodding in recognition of the truth of what it is like to be in a committed relationship.  

I believe that our society has a very unrealistic view of being in love which Hollywood has tended to perpetuate.  We tend to believe it’s like the fairytale. Happy endings aren’t necessarily easy to obtain. Ms. Gabaldon’s books take the reader beyond falling in love and into the everyday realities of how people stay in love despite tragedy and hardship.  

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My husband once told me about a conversation he had with one of his young college football players.  The young man had gotten his girlfriend pregnant and was going to drop out of school. My husband told him our story which included my getting pregnant at 18 and his not dropping out of college.  He told him it could be done and he would help him find a way to make it happen if the young man wanted to stay in school.  My husband said he felt the need to tell the young man the truth about marriage, “Marriage is the hardest thing I’ve ever done, but it is the thing I am the most proud of”.  Diana’s books give us a portrait of the self-sacrifice, acceptance, loyalty, and sometimes the forgiving it takes to maintain a long-term relationship.  One of the reasons some fans lament the lack of sex in season 2 is that they miss the communication that happens when those two are in bed together.  Sex is an integral part of how they communicate with each other, it is often how they connect when words just aren’t sufficient or there are no words.  It rings true to me, sex is important for a variety of reasons in a marriage and I hope season three of Outlander will show us sex between this older couple that comes close to approximating real-life because for the most part Hollywood hasn’t.

I find myself more and more fascinated by the role film plays in our perceptions, particularly of women. In general, Hollywood has an abysmal record when it comes to representing women as real members of the human race and that includes representing aging women in film.

Men over 40 accounted for 53% of characters whereas women that age represented 30%. That has implications for the number of female authority figures onscreen.

Age is one issue among many that has endured in Hollywood. The study found that among actors over 40 in film and television, 74.3% of characters are male and only 25.7% are female.

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When they do put older women paired with an older man in a film the relationship still isn’t portrayed as sexy, but instead is “typically portrayed as sweet, cute and humorous”. It is about companionship rather than a real relationship.

If you watch a random assortment of Hollywood movies, you could be forgiven for believing that the only people who have sex are in their 20s and, occasionally, 30s. When people in their 50s and older engage in an on-screen romance, their relationship is typically portrayed as sweet, cute and humorous.

In other words, the message that film-makers send us is, “Sex is for when you are young. Companionship is for when you’re older.” While it’s true that most of us know more about relationships now than we did as teenagers, this certainly doesn’t mean that sex has left the building. Far from it! In real life, baby boomers are saying that sex gets better with age.  (read this great article with Dame Helen Mirren about sex after 60) http://sixtyandme.com/should-hollywood-embrace-sex-after-50/

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Curious, I began looking for information to read about older women and sex in film.  One article link that popped up on my screen was entitled “The Top Ten Sex Scenes of Actresses Over 50” on a webpage call MiddleSexy which promotes the idea that sex when we are older can be better than when we are younger “older/better/sexier”.  I was hopeful that what I would find was a list of films that showed women over fifty in “realistic” sexual relationships…not so much.  In this article, 9 out of 10 of the films listed involved older women having sex with younger men and one about incest.  Evidently, Hollywood and the author believe only “cougars” can be sexy or have hot sex.  http://middlesexy.com/2014/10/21/top-10-movie-sex-scenes-featuring-actresses-over-50/

Men, as Amy Shumer’s skit suggests, don’t have an expiration date and are still seen as f*able no matter how old they are.  Do you remember the fuss over Carrie Fisher’s not aging well in the new Star Wars movie? http://wp.me/p65lj4-2r Women are consistently told they are too old to play the love interest of men older than themselves.  https://www.theguardian.com/film/2015/may/21/maggie-gyllenhaal-too-old-hollywood

I asked myself if I could remember a film that actually showed an older couple having hot sex. The only movie I could think of was The Thomas Crown Affair with Rene Russo and Pierce Brosnan.  It was definitely sexy, but missing a key component for me…the ever after part.  This was still just another falling in love story. However, it should still be considered ground-breaking for it’s portrayal of an older couple having passionate sex. I would have loved to have seen a sequel to that movie.  Were those two character able to make a relationship work?! 

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The good news is that there seems to be more attention being paid to Hollywood’s issues with women in general.  Outlander has been part of a movement that has shown that TV with a female protagonist can generate audiences and money.  One of the biggest reasons we don’t see more realistic portrayals of older couples on the screen is because there aren’t enough women behind the camera and enough good roles being written for older women.

You’ve got to go behind the camera to fix things in front of the camera.http://nymag.com/thecut/2016/09/youre-the-worsts-aya-cash-on-ageism-in-hollywood.html

But, here’s some even better news…Outlander has two seasons to show the world that sex between two older committed people can be hot and meaningful too.  

Fans and Creators…drawing a line of decency in the sand

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Sunday, I was made aware there was trouble brewing in the Outlander fandom over some edited footage from the final scenes of the episode “Faith”.   It’s been a couple of days and I’ve had a chance to see some interactions between fans, creators, author, and cast.  I’ve let my thoughts sit for awhile and I think I’m ready to put those thoughts to words today.  

I just watched the entire clip

http://outlanderbts.com/deleted-scene-season-2-episode-207-faith-beautiful-work-sam-h/

and what came to mind was how ironic and sad it is that love of such a wonderful story has engendered so much ugliness.

When “Faith” first aired I posted my reflection on the blog and was overwhelmed by the response and moved by my reader’s stories of tragedy and grief.  http://wp.me/p4mtBT-3zD  That episode dealt with a part of life spoken of mostly in whispers if spoken about at all.  The real and honest portrayal of the loss of a child generated thoughtful discussion and for some it created a desire to tell their own story maybe for the first time.  It was and remains an amazing episode of TV.

I am not nor have I ever been an expert on the creation of a TV show.  Despite my voicing from time to time my likes and dislikes about certain episodes, the truth is I wouldn’t know the first thing about how to adapt the books to screen.  Oh, the show has piqued my interest and I’ve done some reading , but I have no experience in the creation of a TV show.  Like most people, I just know what I like and don’t like and then watch or don’t watch a show accordingly.  I felt the need to place my qualification to be a bonafide tv critic right upfront because this whole thing is bothering the heck out of me and I need to talk about it, but I want to make sure everybody knows who I am…a fan.

I’ve heard Diana say before that she fought for a scene to be left in or left out of the production.  Sometimes she wins and sometimes she doesn’t.  She always makes sure to add that no one has to listen to or include her in the decision making, but she is glad that they do.  Overall, she seems very pleased with the adaptation.  I always try to remember this wasn’t the first time someone had an idea to make Outlander’s story into film and I then remember that only she really knows how wrong this could have all gone.  What is really confusing me with these edits is that nobody seems to know why the scenes were cut and they aren’t being shy about saying so.  It isn’t only fans expressing their displeasure or surprise, it’s Metyin, a director,  tweeting he thinks the scene was better in the edited footage, and Diana and Sam Heughan, lead actor, adding their two cents.  They aren’t blaming anyone, but they seem as puzzled as I am.

I agree with Metyin when he said the edited scenes tied together all that happened in the previous episodes. The last time edited scenes were released, I found myself able to see why each scene (except the one with Murtaugh on the beach with Claire) was cut.  I could easily see how each would affect the overall storyline, pacing and character development if left in. I remember thinking that having more time doesn’t necessarily mean the story will be better told.  Sometimes less is more.   But, this time…more looked and felt pretty good. I’d love to hear the reasoning behind the edit because…that scene was amazing.

I’m not sure I know exactly where the buck stops in this production, there appears to be a lot of thumbs in the pie and a new merger had to have some impact.  I do, however, know where the blame for fan displeasure has landed and that is squarely on the shoulders of Ron D. Moore, executive producer.  Here’s the thing, even if he did make the decision to cut this scene totally on his own, he doesn’t deserve the nastiness fans are spewing.  NO ONE DESERVES THE SHIT I’M SEEING .  He hasn’t destroyed or sabotaged the show, he isn’t disrespecting book fans, he doesn’t hate Jamie or Sam, he isn’t making decisions based on what his wife wants or overreacting to what fans say NEEDS to be in the show (thank God), there is no conspiracy or agenda (other than making the best show he knows how to make) …sigh…did I cover it all?  Oh, and, it isn’t personal.  But, the attacks sure are.  Some are thinly disguised as “concern” from fans who LOVE the show, but just want RDM to get with the program and deliver what they want which is more of “the core” of the story.  The truth is we may never see book Jamie and Claire, but I’m not buying the line that Jamie has been emasculated to make Claire look stronger, or that the relationship between the two main character’s has been altered beyond recognition.  This fandom seems to have as many shouting points and conspiracy theories as the presidential election and they get repeated about as often. 

Here is another thing I’m puzzled about. How do the same shit stirrers get access to and notice of the cast and creators?  I swear it’s the same dirty dozen that lie in wait for something negative to be said about the show and then pounce.  They sit in judgment of the show and its fans.  They feel it is their right to degrade the show, its stars and makers in the name of “critique”.  Translation… you didn’t make the show the way I wanted so you are wrong.  The meaner they are the funnier they think they are and the gloat-fest goes on for days and their infamy celebrated.  The dissatisfied jump on the bandwagon with “I’m glad I’m not the only one that feels that way”.

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Critique

Critique is one thing and being judgmental another, but some fans tend to use the two interchangeably.

Judgmental usually refers to people who have a fixed, negative attitude about something.  It carries a meaning of “passing judgment”, black or white, thumbs down or up, like a judge ruling whether someone is guilty or innocent.  It focuses on the negative result in that process. It also has a moral component.


Critical, at least by  tradition, carries the idea of a well-reasoned, expert, articulate, and in-depth examination of the ideas or quality of a thing, not the thing itself: something that a literary or movie critic might do.  Though it tends toward negative, it’s not necessarily so – a movie could receive critical approval.  Critical comes from critique.

https://www.quora.com/What-is-the-difference-between-being-critical-and-being-judgmental

  • Criticism finds fault. Critique looks at structure.
  • Criticism looks for what’s lacking. Critique finds what’s working.
  • Criticism condemns what it doesn’t understand. Critique asks for clarification.
  • Criticism is spoken with a cruel wit and sarcastic tongue. Critique’s voice is kind, honest, and objective.
  • Criticism is negative. Critique is positive.
  • Criticism is vague and general. Critique is concrete and specific.
  • Criticism has no sense of humor. Critique uses humor to soften the “blow” of the critique.
  • Criticism often looks for flaws in the writer as well as the writing. Critique addresses only what is on the page (screen my addition to the list) .https://chroniclesofharriet.com/2012/03/06/a-critic-critiques-criticism-critically/

 

Loved what this article had to say about the “vocal”fans.

It isn’t just Outlander dealing with fans who have crossed some sort of line of decency in the sand. Social media has given us access to creators and it has been a learning curve for them and frustrating to fans who aren’t the vocal minority.

This unfortunate behavior mostly comes from vocal minorities. But it’s an unfortunate truth that those who yell the loudest are usually the first to be heard, which is how you get TV writers blinking in panic at the idea of having to cater to fan whims. I wouldn’t be surprised if, despite saying otherwise, fan backlash results in far less communication between creators and fans, rather than more.

Creators and fans need to find middle ground before creators shut fans out completely   http://www.vox.com/2016/6/8/11885562/tv-fans-the-100-fandom

Make no mistake, this is what will happen…it already has…

 

But, …the fans lament, I can’t believe fans concerns aren’t LISTENED to (translation: why aren’t you doing what I want)

…And the amazing news, as far as creators are concerned, is that the explosion of social media might have opened up communication between the artists and their fans, but it’s by no means equalized it. Major studios and publishers, and the creators they’ve chosen to invest in, still have a bigger megaphone than any of their fans on Twitter. They just have less privilege, less complete protection from a dialogue with their audience, than before. Some still find ways to choose not to have that dialogue. That’s fine; it’s their right.   http://www.huffingtonpost.com/entry/are-fans-getting-too-entitled_us_5750ab2ce4b0ed593f13e893

 

Loved this too…lack of empathy…let’s insult the people the creators and cast care about and then act surprised when they get upset…smh…

Fan entitlement, or something like it, can be hurtful—especially for creators who work on beloved franchises like Doctor Who or Star Wars, where fans feel a strong sense of ownership of long-running characters. But fan entitlement is an attitude problem, brought on by a lack of thoughtfulness and empathy. It’s not an umbrella term for every fandom reaction, from death threats to hashtag activism.  http://www.dailydot.com/parsec/fandom-harassment-captain-america-ghostbusters-devin-faraci/

Critique (I just did. I told you I thought the scene was better before the edit and why without taking it personally or damning anyone to hell) can be productive when it is truly critique.

 

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I would not be surprised if Outlander’s folks are setting new boundaries as we speak….

With social media increasing consumers’ access to producers, fans and creators are still negotiating their boundaries online. Sometimes, a handful of fans will wildly overreact to a creative decision (the emphasis is mine) and behave like immature dicks. Sometimes, a creator will misinterpret a piece of constructive criticism as a personal attack and freak out. Occasionally, a hashtag campaign like #OscarsSoWhite or The 100‘s lesbian death backlash will start a productive conversation that might inspire real, positive change.

http://www.dailydot.com/parsec/fandom-harassment-captain-america-ghostbusters-devin-faraci/

 

 

Here is my point, we have NO idea what happened.  Maybe they made a poor choice maybe they didn’t have a choice.  Is the show ruined?  Are folks going to continue to beat the “Ron doesn’t get it” dead horse?  You don’t have to like every decision, but for God’s sake it’s a TV show and these are real people who work hard and take pride in their art.  I understand folks have been waiting a long time to see “their” story on the screen and are disappointed it wasn’t delivered exactly the way they hoped, but you might want to consider cutting the creators and cast a break …it isn’t personal.  And,  if I was a creator?  I’d be building a fence, an electric one…