Ronald D. Moore @RonDMooreI tell everyone not to get too caught up in the reactions of the moment. The show lives forever, that’s the important thing.
I’m sure Sarah Y’s question was sparked by some of the stuff that has gone down in the fandom in the last three weeks. I believe that Sarah is right, most fans are thrilled with the show and believe it is one of the best things on TV , but…there is a vocal contingent that feels less so. Their dissatisfaction is one of the things that has been bumping around my brain this week. The discontent seems to be centered around the adaptation of the book and perceived changes to the characters.
A commenter on DG’s page that is representative of concerns, but not abusive:
It has memory
This is one of the things I am most enamored of in this series. They are always calling us back to events in the story with beautiful parallels, dialogue, and visual metaphors.
Defies genre classification
A historical, sci-fi, adventure, romance…did I miss anything?
Tends to be literary
A book adaptation.
Social and cultural criticisms
They are subtle and the more effective for it, in my humble opinion. The treatment of and value of women is one of the key criticisms and a timely one.
Tends toward the controversial
Think about the subjects this show hasn’t been afraid to tackle, from male rape to miscarriage.
Aspires toward realism
The detail and care given to suspending our disbelief is staggering. Everything is telling us a story and everything is thought out. Terry Dresbach, the show’s costume designer, Jon Gary Steele, production designer, the writers and producers, the actors have all taken the time to share the inner workings of the their jobs and how much they think about the story and how to present it to us. They have given us realistic standing stones and mystical ceremonies, Scottish and French castles, witch trials and apothecaries, battles and prisons, print shops, brothels, and ocean voyages. It is a show wrapped in a fantasy, but I challenge anyone who suggests this show doesn’t strive to show us the truth in relationships, war, loss, and love wrapped in a richly detailed and realistically beautiful package.
Recognized and appreciated by critics, with awards and critical acclaim
Well! Yes, more and more. #Goldenglobes
…Often the Starz drama is lauded for its incredible set and costume design and ambitious cinematic scope, but the series’ pensive, poetic exploration of the human heart’s mysteries, and the quixotic nobility of commitment, is singularly brilliant and underappreciated in the realm of top shelf TV dramas. Salon
As you can see, Outlander easily meets the criteria Robert Thompson sets forth for Quality TV.
Dorothy Swanson (Viewers for Quality Television) argued that “A ‘quality show’ is something we anticipate before and savor after. It focuses more on relationships than situations; it explores character, it enlightens, challenges, involves and confronts the viewer; it provokes thought and is remembered tomorrow. A quality show colors life in shades of grey.”
This show does focus on relationships, provokes thought, and despite the frustration of some fans lets us see life and our characters as complicated imperfect people and their life choices in “shades of grey”. We anticipate each episode and savor after (how many times have you watched the print shop, lol). I anticipate re watching these shows for years to come just like I re read the books.
One of the interesting phenomena I read about when researching this topic was the rise of amateur critics due to the easy accessibility afforded by the internet. I guess I should consider myself one of these at this point! I watch and continue to watch Outlander because it continues to hold my interest and I am fascinated by the creative choices that are bringing my favorite characters and stories to life. The characters and story are recognizably Outlander and yet, uniquely it’s own entity and I am enjoying the hell out of ride this team of hardworking creatives is taking me on. Will this story last forever? Yeah, I think it will.
I’ve written before that is difficult for book fans to objectively watch the show and I have often found myself jealous of those who watch the show first and then read the books. They get to enjoy both in a way I’ll never get to experience. Love this comment from an AVclub article discussing adapting books to screen.
You cannot undo what you know or completely separate yourself from your expectations, even if you want to.
Another idea bumping around my head this week was the benefits of bingeing a series and the pitfalls of episodic TV. A friend said that she went back during the last drought and watched the show in binge format. She said she was amazed at the flow of the story and how differently she felt watching episodes back to back. Her experience was much more positive. We both speculated on the impact of weekly episodes on the perception of the shows success by fans. The show’s creative team works hard to adapt the source material into 13 separate, yet connected story arcs, an episode. Some folks enjoy having to wait a week to see what happens next or get their questions answered, they enjoy the speculation around the water cooler on Monday morning. However, I’ve come to believe, along with my friend, that the show’s episodic format contributes to a lot of the angst in the fandom. I saw Ron’s advice to cast and writers, to not get caught up in immediate reactions, play out this week. I saw some fans’ rage and turmoil turn on a dime or episode 308, as the case may be. The writers and producers have a long-range plan for the story arc and I have come to understand that we really need to withhold judgement of the success of the series until the end of the season, if not longer and not get caught up in our own immediate reactions. Book/series fans reactions are volatile and we are not necessarily reliable narrators of the series weekly success. We have too much of a personal stake in how we think this story should be told. I struggled with this very thing while watching “A. Malcolm”.
The second half of Ron’s tweet also peaked my interest, ” The show lives forever, that’s the important thing”. I wondered what makes one TV show better than another and gives it the chance to be remembered as a great show. Ron tweeted that they try to please both book and non reading fans, but ultimately, they are trying to tell the best story they can tell. I, for one, am thankful they are not influenced by the whims or immediate reactions of fans. I know that some fans have running issues with how the characters are being portrayed and I know the writers and producers do read and respond to fan feedback, but that feedback cannot be the driving force behind creative choices. From the AVclub article:
I went in search of criteria for what makes a “quality” TV series that will “last forever” and whether Outlander fits that criteria. Please understand that my “lite” research is in no way exhaustive or particularly academic. I just read what I can find and use it to make meaning for myself. Having qualified my bonafides, I did find some interesting stuff. The study of what makes “quality” TV is a fairly new one and has picked up steam since the cable and streaming programming have increased their presence in the landscape of what is available for us to view. I found some of the same scholars being quoted and cited in most of the articles and information I read.
One of those people most often quoted or cited was Robert Thompson. He is considered an expert in TV. He teaches on the subject, is founder of Bleier Center for Television and Popular Culture and has authored, co-authored, or edited six books on the subject. Here is his take on what constitutes quality TV.
I found myself mentally ticking off the boxes in regards to Outlander.
Break the established rules of television
From the very beginning this show has shown itself to be willing to take risks and create itself outside of the box. The biggest risk being bucking the idea that a show marketed to women was destined to fail.
Like nothing that has come before
Like the books they are based on. Have you ever try to tell someone what this show is about?
Produced by people with quality aesthetic ancestry
Ron Moore and company have a track record that impresses and his work continues to held up as an example of what can be done in television. This show is no small undertaking.
Attracts a quality audience
The ready-made base for this show were intelligent, educated women from all walks of life from around the world. These were women who were in love with “big books” that bent genre were richly full of details and that spoke to the truths and ironies of life with characters who struggled with hard choices and for the most part chose to do the right thing despite the cost to themselves. Not everyone in the fandom is there for the deeper story, but many are. I love it when I see folks who thought the story was “housewife porn” catch on and become wowed by this story.
Succeeds against the odds after initial struggles
Those of us around since the beginning remember the initial reviews for the series. We were disappointed that critics were just buying into and repeating “pop culture” cliches surrounding the buzz about the story and not giving it a chance. The ready made fan base, “the book fans”, knew this story and its depth and adventure. Our battle cry was “just wait and you’ll see” and they did.
Large ensemble cast allowing for multiple plot lines
As the story progresses and we see new characters added, we will see more plot lines with Jamie and Claire the matriarch and patriarch of a large extended family and story. We will become invested in the stories of Roger and Bree, Fergus and Marsali, Wee Ian, Auntie Jocasta, Lord John, and all of the folks on Fraser’s Ridge.