A BROKEN MADONNA
I remember the blood most of all. The blood that wasn’t supposed to be there. The blood that was too much. The blood that wouldn’t stop. I remember lying on a sterile table in a cold sterile room surrounded by strangers. I stared up at the operating room lights and tried not to feel as I heard their efforts to clean my womb. I remember the pain that did not result in joy and always the child that would only live in corners of my soul.
Last week, in my look ahead to episode 7, I discussed miscarriage http://wp.me/p57847-o0A. I talked of statistics, grief, and guilt. My readers told me their stories of loss and lingering sorrow. My own story resulted in the decision to not have more children, but they told me of bravely trying again and as a result, finally experiencing the joy of motherhood. Others shared that they had tried and tried again…and again. I cannot fathom how they coped with that cycle of hope and despair. All shared they had never forgotten the children they never knew. I was moved by their stories. And, so, I hoped that Outlander would be able to show us a story that reflected the truth of expectancy miscarried. They did. They showed us a broken Madonna.
This was storytelling at its best. They told a honest tale of how sometimes life breaks us and they did it with such astounding insight. Once again, Outlander has honored its subject matter by allowing the audience to see the full measure of the effects of an event like miscarrying a child. They didn’t gloss over, sensationalize or romanticize Claire’s trauma instead they chose to show us the depth of this woman’s suffering that then allowed the audience to experience empathy in a powerful way. This episode showed us the power of compassion and forgiveness.
THE STAGES OF GRIEF
I don’t know if the writers and producers decided to show us Claire navigating the stages of grief, but it is what I saw and I was able to respond to the story they were telling with connections to my own life and experiences with grief.
My daughter is a photographer and especially gifted at capturing images of people’s beauty and personality. She has volunteered to take pictures of servicemen in that moment they finally come home to their families and birthday parties for 95 year-old grandmas or grandpas who may not be here much longer, and Senior portraits for a girl who is confined to a wheelchair and disfigured from a car accident and needs to feel beautiful, and pictures of babies “born dead”. She volunteered because she felt it was important, a way to help these grieving parents say goodbye. But, she found she couldn’t despite a desire to help because it was just too much, too much grief, too much sadness. She needed to stop for her own self-care.
I don’t often write about the actual filming of the scenes, but, the way the camera closed in, panned out or gave us angles of perspective added so much to the telling of this story. We are first given a close up of Claire’s face her eyes swollen with crying, pale, expressionless and reminiscent of Jamie on the pallet at Wentworth. The camera pans out so that we may float on the ceiling looking down on the blood and the birth turned butchery. She later awakens and we see her try to make sense of where she is and what has happened. They kept it real and allowed Claire to be a woman whose body has been changed by her pregnancy instead of bowing to a sexier/less realistic representation. I knew what she felt when she touched that empty belly so recently vacated. Her panic was a true indication that she knows something is wrong and yet,…denial, ” No, it isn’t possible”. Her confusion and changing feelings were all expressed in rapid and yet moving succession. She demanded and pleaded for the baby she knew must be there. The flashback scenes of her holding and crooning her love to her dead baby were so poignant.
A worried Mother Hildegarde calls in Louise to try and reach her friend who won’t surrender her dead baby. As Louise approaches Claire, we see her touch her own child and we feel her compassion for another mother.
“She is an angel.”
No metaphor was ever more true and Claire knows it is time to let go, but how? When she kissed her child goodbye, I took a ragged breath and said a small prayer for all those who must kiss their children goodbye.
When I was in eighth grade, my Uncle Chuck finally came home from Vietnam and my grandmother finally got to take the placard of a star, that designated them the parents of a soldier, out of the parlor window. He seemed to be adjusting well and she was finally able to sleep at night without worrying that a uniformed soldier might come to her door with news. It wasn’t a soldier who came to her door it was a deputy sheriff.
I remember being woken in the middle of the night by my mother’s voice raised in anger. She was screaming “How could he! How could he!”. I wandered down the stairs and was confused by the tableau I saw in our dining room. I couldn’t figure out why my Uncle Harry was there or why my step-father was hanging his head with tears in his eyes or why my mother was furious. My Uncle Chuck was home one month from his third tour in Vietnam and was killed in a car accident trying to avoid hitting a deer. My mother was angry because he had gotten himself killed. This was my first exposure to the different forms grief can take. The anger isn’t always rational, but someone must be blamed for such an inconsolable loss.
Mother Hildegarde’s conversation with Claire was a brilliant example of what often happens in the case of miscarriage/still birth. Claire is grieving and she is filling in the “utter void” left by Faith with anger and blame directed at Jamie. The dialogue here was so revealing of grief and the use of anger to cope.
“My husband betrayed me mother… a year of mercy is all I asked…Revenge mattered more to him than me or his child. He might as well have run his sword through me”.
“God bids us to revel in mercy, tread sins underfoot, and throw iniquities into the sea.”
“I’m not sure there is a sea deep enough”.
Many who experience such loss cope by wrapping themselves in blame, naming sins, and never find that sea.
I promise I’ll never…I promise I will…If you give me this…
Very few of us that grieve have not at least thought of a bargain with God or the universe. Like children we beg and offer to change or sacrifice if only this would not be true. Claire doesn’t bargain for Faith and I was so moved by her expression of total loss, “My sins are all I have”. Acknowledging she is still angry with Jamie, once she hears why he broke his promise she bargains for his life with her virtue, “I will count it among the things I’ve lost in Paris”.
When bargaining doesn’t work and anger exhausts us, depression moves in. Our loss colors everything. We see the world through grey fog. Life has beaten us and changed us.
Claire’s fragility was so piteous. We could tell by the troubled look on wee Fergus’ face and the offering of flowers he still held that the woman we were about to see was altered. I was so moved by the servants waiting to welcome an obviously loved Milady home. I couldn’t help but feel those steps from the carriage to the house were some of the most difficult she has ever taken. Even in her weakened state she tries so hard to give these people what she can. Her not allowing Magnus to bow to her and bowing to him instead was so Claire. She is not a respecter of personage, she does not judge anyone by anything but their heart.
We see her face devoid of emotion as Fergus brushes her hair,…a child caring for an adult is always so heart breaking. It’s not supposed to be that way. Then when she is drawn to the spoons, I was reminded of unused baby clothes and a prepared nursery waiting for a child that will never come and I understood how this joyous gift now only serves as a reminder of her loss. She angrily pulls on her robe in the need to take some sort of action and quickly realizes she has nowhere to go and nothing she can do and falls apart.
Loss changes us. But, life it goes on. Acceptance is the bittersweet stage of the grieving process. It isn’t about suddenly being okay or “over it” because we are never okay with this kind of loss. It is rather about accepting a new reality.
The “will you make me beg”scene between Jamie and Claire was one of my favorites in the books and one of the three scenes I picked preseason as having the potential for award winning performances. The scene was different from the books, but no less convincing in its portrayal of the power of acceptance, compassion and forgiveness.
“The weight of what has happened here is too much for anyone of us to bear alone. The only way we can live with it is to carry it. Together.”
In my opinion, Outlander has fulfilled its promise of being something different. They continue to show us the story of two decent people who want to do the right thing and struggle with choices, people who admit their mistakes, make sacrifices for the sake of others, and choose to forgive. It is a rarity on TV to be sure. There was so much in this episode to write about and talk about, but I think for now, I’ll concentrate on this story-line of loss and how it affects everyone it touches. This breathtakingly wonderful adaptation of Diana Gabaldon’s story of Jamie and Claire was able to capture the depth and wonder of this rich and complex story. I would like to thank everyone who has so lovingly cared for this story, the actors who moved me, the writers who spoke to my heart, those who guided performances and filmed perspectives that added to our understanding, those that helped create the costumes and sets that helped suspend our disbelief and made these people and this world real.
This episode reminded me once again of how lucky we are to have had this story given over to such a serendipitous group of people. People who care. I thought of all the complaining about shortened episodes, petty differences from the book, a heroine characterized as selfish, and a lack of sex in the former episodes and wondered how difficult it must have been for them all to stay silent knowing what was to come in this episode. I wouldn’t have traded that moment of Claire’s self-awareness and Jamie’s compassion for all the hot sex in the world. There are wonderful lessons to be learned about what it means to be human here for those who care to look and I for one will have “faith” that Ron D. Moore and company will continue to do honor to the story of Jamie and Claire.
152 thoughts on “The Madonna Breaks…A Reflection on Outlander 2.7”
Beautifully written – Thank you, Beth! I certainly hope that some highly deserved awards and recognition come Outlander’s way this year, because the acting was phenomenal – as is usual, but even more so.
One comment: in Mother Hildeguard’s quote, I believe it’s supposed to be iniquities (sins), not inequities (unequal, unfair).
Thanks missed that
Hats off as well to Bear M for his exquisite music. When those few strains of a deeply sad sound tolled I felt compelled to reach for my piano to echo that small melody and sound it out for my own heartbreak. Every time I heard it my heart broke again and again. Truly, every single contributor to this series is at the top of his or her game. Especially the scene when Fergus steps out of the darkened coach with that singular bouquet of blue, hopefully healing flowers to the moment when Claire grasps Jamie’s hand at Faith’s grave site my heart was in my throat feeling their egregious sadness.
Having lost my youngest child–the moving part of this episode was the moment that Jamie tells Claire that they can move forward together. I thank God every day that my husband and I were able to be together to move forward in our grief and to stay together for many don’t. We go to the grave site together and separately, but we talk and remember our girl every day.
Diane and the writers for Outlander have presented an honest image of pain and grief associated with the lost of a child.
Thank you for sharing
In 1984 my baby Claire was born and took one breath. She was only in my womb for 24 weeks. She was to be my second child. When I watched the “Outlander Claire” deal with what I did, I sobbed for her and again for my baby Claire. The music was incredible. The ability to capture the true feelings of losing a baby, was incredible. Bravo Outlander. You have always had my heart, but I think now just a little more has been healed. Thank you. Well done.
Thanks Debbie for sharing your story of loss.
Your blog is so well written, always!
After watching this episode, I asked myself what makes people want to watch sad, heart-breaking, drama? What draws people to put themselves through such painful emotion? Now I understand that it’s a need to process their own pain by watching how others cope with tragedy.
The stages of grief are common to all types of loss, although not everyone experiences all of them; it’s not always a straight-forward journey but can involve shift back and forth between the emotions.
I’m touched by the honesty of all the people who have share their loss and pain. Thank you, you have made my own pain and heartache easier to bear, knowing I’m not alone. Kudos to Outlander books and tv for exploring these themes.
Another amazing post, Beth! You truly have a gift!
I love how Jamie again stays in the room even after Claire tells him she hated him. He didn’t leave. LOVE LOVE that.
Question, why did Master Raymond ask Claire to call out Jamie name while he was removing her placenta? To cleanse her womb of hate for Jamie?
In the books I always got the idea that it was some mystical connection that Raymond sensed and he used that energy
A friend said this which I think makes sense:
Jamie is her anchor. Raymond met him once in the books and he could see how much they loved each other. It’s like he was forcing her to focus all her energy on one point and Jamie is her strength like she is his.
Her calling out Jamie’s name was part of the healing/curing her (physical and emotional)…to re-establish the connection with Jamie she cut off since she hated him for what happened.